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My Husband Pretended to Be Dying for My Twin Novel Cover

My Husband Pretended to Be Dying for My Twin

The townhouse is too quiet. I notice it the moment I push through the front door, my messenger bag heavy with medical journals I'll never need again. The usual hum of the air purifier Reid requires for his "condition" is absent. No low murmur of the television from the darkened bedroom where he spends his afternoons. Just silence, thick and wrong, settling over the marble foyer like dust. I set my keys in the ceramic dish by the door—the one we picked out together on our honeymoon, back when I still believed in us—and listen. That's when I hear it. Laughter. Light, crystalline, unmistakably female. Then the clink of wine glasses.
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Chapter 3

The window hasn't been opened in years. The paint has sealed it shut, and I have to work the frame with my fingernails until they crack and bleed. When it finally gives, the night air rushes in—salt and honeysuckle and freedom.

The oak tree is closer than I remembered. Or maybe I'm more desperate than I was at sixteen, sneaking out to study at the library instead of attending Jolene's charity galas.

I swing one leg over the sill. The trellis groans under my weight.

Don't think. Just move.

I'm halfway down when the wood splinters. The crack is loud enough to wake the dead, and for one suspended moment I'm weightless, falling through darkness with my hands grasping at nothing.

I hit the ground hard. The impact shoots through my left ankle like lightning, white-hot and blinding. I bite down on my tongue to keep from screaming, tasting copper.

Lights flicker on in the house above. My father's voice, sharp with alarm.

I run.

The pain is extraordinary. Each step sends fresh agony up my leg, but I don't stop. Can't stop. The estate's long driveway stretches ahead, lined with those perfect hedges my mother has photographed for magazine spreads. I stay off the gravel, keeping to the grass where my footsteps won't crunch.

Behind me, the front door opens. My father's silhouette appears on the steps.

"Genevieve!"

I reach the main road and turn left, away from town, toward the stretch of highway I remember from childhood drives. My ankle is swelling inside my shoe. Every step feels like walking on broken glass.

The gas station appears after what feels like hours but is probably only forty minutes. Fluorescent lights buzz over empty pumps. A bored attendant scrolls through his phone behind bulletproof glass.

I collapse against the payphone—an ancient relic I'm suddenly grateful exists. My pockets are empty except for a single quarter I find in the lining of my jacket, left over from some forgotten errand.

One call. That's all I have.

I dial the number I've had memorized since freshman year, when Professor Simon West wrote it on the back of my first A+ paper with a note: *If you ever need anything.*

The phone rings four times. Five. I'm about to hang up when his voice comes through, sleep-rough and confused.

"Hello?"

"Professor West." My voice breaks. "It's Genevieve. Genevieve Wright. I—I need help."

The silence stretches for three seconds.

"Where are you?"

I tell him. He doesn't ask questions, doesn't hesitate.

"Stay there. I'm coming."

I sink down against the payphone's metal housing, my ankle throbbing in time with my pulse, and wait.

Simon's car pulls up thirty-seven minutes later—I count every one of them. He gets out, takes one look at me, and his expression shifts from concern to something harder.

"Jesus, Genevieve."

He helps me into the passenger seat with careful hands, like I might shatter. Maybe I already have.

His apartment is small, cluttered with books and papers, smelling of coffee and old leather. He settles me on the couch, props my ankle on a pillow, wraps it with an ice pack and an elastic bandage he produces from a first aid kit.

"I'm calling a doctor," he says.

"No." The word comes out sharper than I intend. "No doctors. No records. They'll find me."

He studies my face, and I watch him piece it together—the bruise on my cheek, the desperation, the middle-of-the-night call.

"Tell me," he says quietly.

So I do. All of it. The fake illness, the stolen scholarship, Jolene and Reid, my parents locking me in my childhood bedroom. The words pour out like poison I've been holding in my mouth for five years.

When I finish, Simon is silent for a long moment. Then he stands, walks to his desk, and picks up his phone.

"I have a colleague at UCL," he says. "University College London. She owes me a favor. How do you feel about England?"

I stare at him. "What?"

"Emergency research fellowship. It's not the Sorbonne, but it's a start. You can finish your doctorate, rebuild your credentials, get as far from this as possible." He's already dialing. "The red-eye to Heathrow leaves in four hours. I can have you on it."

Something loosens in my chest—something that's been clenched tight since I heard Jolene's laughter in Reid's study.

"Why are you doing this?"

Simon looks at me over his reading glasses. "Because five years ago, I watched the most brilliant student I'd ever taught give up everything for a man who didn't deserve her. I'm not watching you disappear again."

He makes the call. I sit on his couch, my ankle screaming, and listen to him arrange my escape with the efficiency of someone who's done this before.

When he hangs up, he makes tea—proper tea, in a ceramic pot—and we sit in silence while I try to remember how to breathe.

At some point, I realize I'm still wearing my wedding ring. I twist it off, the metal catching on my knuckle, and set it on his coffee table.

It sits there between us, a small circle of gold that cost me everything.

"Leave it," Simon says when I reach for it again. "You don't need it where you're going."

He drives me to JFK as dawn breaks over the city. My ankle is purple now, swollen to twice its normal size, but I can walk. Barely.

At the departure gate, Simon hands me an envelope. Inside is cash, a phone number, and a note in his precise handwriting: *You were always meant for more than this.*

"Thank you," I say, and the words are completely inadequate.

He squeezes my shoulder once, gentle. "Go be brilliant, Genevieve. That's all the thanks I need."

I board the plane as the sun rises, leaving behind my name, my marriage, and every version of myself I was forced to be.

The woman in the window seat asks if I'm alright.

I look out at the tarmac, at the city disappearing below us, and realize I don't have an answer yet.

But I will.

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