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My Husband Pretended to Be Dying for My Twin Novel Cover

My Husband Pretended to Be Dying for My Twin

The townhouse is too quiet. I notice it the moment I push through the front door, my messenger bag heavy with medical journals I'll never need again. The usual hum of the air purifier Reid requires for his "condition" is absent. No low murmur of the television from the darkened bedroom where he spends his afternoons. Just silence, thick and wrong, settling over the marble foyer like dust. I set my keys in the ceramic dish by the door—the one we picked out together on our honeymoon, back when I still believed in us—and listen. That's when I hear it. Laughter. Light, crystalline, unmistakably female. Then the clink of wine glasses.
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Chapter 4

London tastes like damp wool and exhaust fumes, a sharp contrast to the manicured, sterile air of the Hamptons. My ankle is a swollen, throbbing mess of purple and black, bound tight in the elastic bandage Simon gave me. I limp through the terminal at Heathrow, clutching the envelope of cash like a lifeline, my entire life reduced to a carry-on bag and a burning need for restitution.

The flat I find in Camden is a closet with a window that rattles when the wind blows. It smells of curry and mildew, but it’s mine. I don’t buy furniture. I buy books. I buy a second-hand laptop. I buy silence.

My days at UCL become a blur of fluorescent lights and caffeine. I attack the curriculum with the ferocity of a starving animal. I have five years of atrophy to reverse, five years of being “Mrs. Armstrong” to scrub from my neurons. I’m the first one in the lab at 6:00 AM and the last to leave when the security guard jingles his keys at midnight. My colleagues look at me with a mixture of pity and fear. They see the dark circles, the way I flinch when a door slams, the frantic speed at which I pipette samples. They don’t know I’m not running toward a degree; I’m running away from a ghost.

Six months in, the ghost calls.

It’s 3:00 AM on a Tuesday. Rain lashes against the single pane of glass in my bedroom. My phone vibrates against the floorboards—a number I haven’t blocked because I need to know they can still reach me, that they haven’t forgotten what they did.

I answer, saying nothing.

“Gen?” Reid’s voice is slurred, thick with scotch. “Gen, are you there?”

I listen to the wet sound of his breathing. He’s unraveling. I can hear it in the lack of cadence, the missing charm.

“Give me the phone, Reid, you’re pathetic.”

Jolene. Her voice is sharp, tinny through the speaker.

“I’m talking to my wife,” Reid mumbles, and there’s a crash in the background—glass shattering. A sound I know well.

“She’s not your wife, she’s gone,” Jolene snaps. “And look at you. Wasting away over the help. You actually fell for it, didn’t you? You miss having someone to wipe your brow while you play make-believe.”

“Shut up, Jolene.”

“Make me. Or are you too drunk to function? God, you’re boring when you’re real.”

The line goes dead.

I sit in the dark, the silence of London pressing against my ears. A year ago, that call would have destroyed me. Now, it’s just data. Reid is drinking. Jolene is cruel. Their toxicity is a closed loop, feeding on itself. I set the phone down and turn back to my laptop. The screen glows with protein structures—twisted, malformed chains that mimic the very disease Reid pretended to have.

irony is a fuel that burns cleaner than gasoline.

Eighteen months later, the air in Edinburgh is crisp, smelling of heather and history. I stand at the podium in the Great Hall, the wood smooth under my sweating palms. The room is packed—three hundred of the brightest minds in biotechnology.

“Protein misfolding in neurodegenerative pathways,” I say, my voice steady, amplified through the speakers. “We assumed the degradation was linear. We were wrong.”

I present the slides. Two years of eighteen-hour days. Two years of sleeping on a mattress on the floor so I could afford reagents. I dissect the pathology of the disease Reid faked, exposing its mechanisms with a precision that borders on violence. I show them how to catch it, how to map it, and potentially, how to stop it.

When I finish, there is a beat of silence—that terrifying, suspended second where a scientist wonders if they’ve overreached.

Then, the applause starts. It begins in the front row and sweeps back like a wave, a roar that drowns out the rain, the doubts, the memory of my mother’s slap.

I look out into the sea of faces, and my eyes catch a familiar figure in the fourth row. Simon West. He’s older, his hair grayer, but he’s beaming. He isn’t clapping; he’s just nodding, a slow, profound acknowledgement of the woman I’ve become.

I meet his gaze and allow myself a small, sharp smile. The limp is gone. The ring is gone.

Dr. Genevieve Wright has arrived.

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