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My Husband Hung Up When I Was Kidnapped Novel Cover

My Husband Hung Up When I Was Kidnapped

A fever burns through her, and her bank card fails again and again, leaving her humiliated in front of a full pharmacy line over a forty-dollar prescription. The pharmacist's careless tone cuts deep as strangers stare. But that public shame is only the beginning. When violence finds her and she desperately calls the one man who should protect her, her husband answers—then hangs up without a word. Abandoned to a terrifying fate, she must summon every ounce of will to survive the darkness closing in around her.
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Chapter 4

The storage facility sent a paper notice, because I'd stopped paying for anything digital. Cheap yellow paper, the kind that comes with a perforated edge you tear off and mail back.

FINAL NOTICE. Unit 14C. Rental period expires in 48 hours. Unclaimed remains will be disposed of according to state regulation.

Disposed of. Two words for my mother.

I had thirty-seven dollars. The fee was two hundred and ten. I'd spent the whole night doing math that never came out right, moving numbers around on a napkin like they'd multiply if I asked nicely. Then I stopped, and I put on my coat, and I decided I'd stand in that office and beg. I'd never begged for anything in my life. I was ready to learn.

The elevator ride down was the first time I'd left the penthouse in nineteen days. I counted. I'd started counting things — days, steps, pearls in a velvet pouch — because counting was something I could still do without hearing.

Outside, the cold hit me like a slap. November in Manhattan, wind coming off the river, cutting straight through the wool. I walked. No car service. No card to pay for one. Just my legs and the sidewalk and the strange, terrible quiet where the city used to be.

That was the worst part of losing sound. Not the silence. The way the world looked like it was still screaming and I couldn't hear a single note of it. A garbage truck rolled past and I felt it in my knees. A man shouted into his phone and his mouth stretched wide with nothing coming out. Everything moved. Nothing spoke.

Three blocks from the facility, I stopped at a crosswalk. I remember the light was red. I remember thinking about the oak tree in the cemetery, the one my mother pointed to every time we drove past. *That one gets good light.*

I remember a white van pulling up to the curb.

I didn't hear the door slide open. That's the thing I keep coming back to. Any other version of me would have heard it — the metal rasp, the engine idling rough, footsteps behind me on concrete. Any other version of me would have turned.

I only noticed when the shadow fell across the pavement in front of my shoes.

Two men. One had a face like unfinished drywall, flat and pale. The other came from behind. An arm across my chest, hard as a bar. I twisted, got one hand free, clawed at something — a jacket, a wrist — and then there was a cloth over my mouth and nose, damp and sharp-smelling, chemical, sweet in a way that made my throat close.

I thrashed. I know I did. My heel connected with a shin. Someone's grip slipped and re-caught.

And all of it happened in total silence. No shouting. No screaming. Not even mine — I could feel my own scream tearing up out of my chest and I couldn't hear it, and that was when the panic became something animal, something that had no words at all.

The crosswalk light turned green.

The city went out like someone pulling a plug.

---

I came back to cold.

Concrete cold, the kind that gets into your spine. My cheek was against something gritty. There was a taste in my mouth like pennies and gasoline. When I tried to move my arms, they didn't come.

I opened my eyes.

A warehouse. Ceiling forty feet up, ribbed with rusted beams, a single work lamp hanging on an orange extension cord throwing a hard yellow circle on the floor. Everything outside that circle was black. Water somewhere — I couldn't hear it, but I could smell it. Brackish. Rotten rope and low tide. The East River, close enough that the floor trembled faintly when something heavy passed on the water.

I was in a metal folding chair. Zip ties at my wrists, behind the chair back, tight enough that my hands had already gone thick and numb. Another around my ankles. My coat was gone. So were my shoes.

Three men. One in a puffer jacket, sitting on an overturned crate, scrolling his phone. One by the door, smoking. And one standing in front of me, crouching down to my level like a man greeting a dog he wasn't sure about.

He had a beard trimmed too neat for the rest of him, and a scar splitting one eyebrow. He said something.

I watched his mouth.

*"You awake, sweetheart?"*

I didn't answer. He waited, then snapped his fingers twice next to my ear and studied my face. Something shifted in his expression — a flicker of interest, the kind that scared me more than anger would have.

*"Huh,"* his lips said. *"You're deaf."*

He stood up and turned away, so I lost the rest. I caught the shape of a name when the man by the door said it — Derek. Derek something. He pulled out a phone in a cracked case and held it up, and I felt the vibration of him laughing more than I saw it.

Then he crouched again and turned the screen toward me so I could see the contact he was calling.

MASON CLARK.

My chest cracked open with something so close to relief that I hated myself for it.

He spoke slowly for me, exaggerating every word, enjoying it.

*"Two million. Six hours. Wife alive and pretty."*

And then he pressed the phone to his ear and I could only sit there and watch the ring counting down in his face.

---

Mason told me, later — much later, when it didn't matter anymore — exactly where he was.

His office. Forty-second floor. Late afternoon light coming through the glass, the good kind, the kind that makes a man look like the magazine profiles say he is.

Saige was sitting on the corner of his desk with her ankles crossed, holding a paper cup of coffee she'd bought to prove she still bought her own coffee.

The phone lit up. Unknown number. 917 area code.

He looked at it. And Saige looked at it too, and then she looked at him with those soft, sorry eyes she practiced in the mirror.

*"Don't,"* she said. Gentle. Almost pained. *"Mason. You know how she's been. She's capable of anything lately."*

He hesitated.

Five seconds. I've done the math on those five seconds more times than I can count. Five seconds is nothing. Five seconds is a breath, a heartbeat, the time it takes to change your mind.

*"It feels like another one of her stunts,"* Saige said. *"Doesn't it?"*

And Mason Clark — the man I put my father's connections into, my trust fund, my whole life — reached out one finger and pressed the red circle.

In a warehouse by the river, I watched a stranger's face go flat with surprise, then slowly, terribly, split into a grin.

He said something to the man on the crate. Then he turned back to me and held the dead screen up where I could see it, and he mouthed it slow, so I wouldn't miss a single letter.

*"He hung up on you."*

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