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My Best Friend Wore My Wedding Dress to Marry Him Novel Cover

My Best Friend Wore My Wedding Dress to Marry Him

On a bustling Manhattan street, she holds an ultrasound picture close, her heart overflowing with hope at the tiny, eight-week-old life growing inside her. This fragile miracle represents her entire future. However, amidst the roaring city traffic, a devastating betrayal and dark secrets loom on the horizon, threatening to shatter her world. Can her new beginning survive the ultimate, heartbreaking test?
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Chapter 2

Two hours.

That's how long it takes him to remember I exist.

I hear him in the hallway before I see him—the quick, uneven cadence of a man who has been running between rooms. His shoes squeak against the linoleum. Someone else would find that endearing. I find it obscene.

He pushes the door open with his shoulder. His tie hangs loose around his neck like something he loosened without thinking. There's a smudge of dark makeup near his collar. Not mine. I don't wear that color.

'Sarah.' He exhales it like a word he's been holding under water. 'God. Sarah. Are you—'

He crosses to the bed. He reaches for my hand. I let mine stay flat on the blanket, palm down. He notices. He doesn't stop.

'Listen. Listen to me. Kendall had a complication. It was bad—the doctor said if I didn't stay, if I wasn't there to sign—'

He keeps going. Words tumbling out too fast, arranged in the shape of an explanation. Emergency. Panic. Nobody else around. He couldn't reach her family. He didn't know I was here—nobody told him, nobody said anything, he came the second he heard.

I watch his mouth move.

I notice things I have never noticed before. The way his left eyebrow lifts when he's asking to be believed. The way he touches the side of his jaw when he lies—not a big lie, just the ordinary kind, the kind he's been feeding me for months maybe, years maybe, and I never once looked at his hands.

I look at them now. They are shaking a little. Not from grief. From adrenaline. From the specific chemical exhaustion of a man who has been performing rescue for the wrong woman.

'—and I know how it looks,' he's saying. 'I know. But you have to understand—'

He pauses. He wants a response. He wants me to nod, to soften, to do the thing I have done a thousand times, which is meet him halfway across whatever mess he's made.

I don't nod.

I lift my right hand. Slowly. My ribs protest and I ignore them. I bring my hand across my body, to my left, and I take the ring off my finger.

It slides more easily than I expect. I have lost weight in six hours.

I set it on the tray table beside the water pitcher. The sound it makes is small. A soft, exact click. Metal on plastic. It is the loudest sound in the room.

'We're done,' I say.

He stares at the ring. His whole face does something strange—it collapses inward for a half-second, then rebuilds itself into confusion, then into something that wants to be anger.

'Sarah. Come on. You're not—you're in shock. You just—the doctor said you lost a lot of blood, you're not thinking—'

'I'm thinking.'

'Sarah.'

I turn my head. I look at the wall. Pale green paint. A crack running from the ceiling down toward the outlet. I count the inches of it. Sixteen, maybe seventeen.

He is still talking. Something about how I don't understand, how Kendall is a friend, how he had no choice, how this is not what it looks like. His voice rises and dips and rises again. He says my name three more times.

I close my eyes.

I hear him fall silent. I hear him breathe. I hear him pick the ring up off the tray table—the small dry scrape of metal against plastic—and then set it back down. He doesn't take it with him. He wants me to know he isn't taking it with him. He wants that gesture to mean something.

It doesn't.

At some point, a nurse comes in and asks him to leave. He goes. The door clicks shut. I open my eyes and look at the ring, sitting there next to the water pitcher, catching the fluorescent light in a way it never caught the sun.

I press my thumb to the inside of my wrist.

Still here.

---

The next three days are a kind of weather I move through.

He calls. First from his phone, then from numbers I don't recognize—his office, his mother's landline, once from a number that turns out to be a coffee shop payphone I did not know still existed. I let every call go. The voicemails accumulate like snow.

I listen to none of them. But I read the transcripts my phone generates, because I am a lawyer and I have learned never to refuse information, only to control what it costs me.

Monday: 'You're overreacting. You didn't even let me finish.'

Tuesday: 'I know you're hurting. I'm hurting too. Please.'

Tuesday, later: 'Sarah, this is insane. Seven years. You don't get to just—'

Wednesday, 2:14 a.m.: 'Please. One conversation. That's all I'm asking. Please.'

I read them the way I would read opposing counsel's motions. I note the pattern. Anger, then bargaining, then the small hours of the morning when the bargaining thins into begging. He is moving through the stages exactly the way I expected. He is nothing if not predictable.

On Tuesday afternoon he appears in my lobby.

I don't see him. The front desk calls up. I tell them no. I tell them to log the visit, and the time, and to note it as unwelcome. I hear my own voice on the intercom and I don't recognize it, and then I do, and I realize this is what I sound like now.

I change the lobby access code that evening.

I email the building manager. I email HR at my firm and request a two-week medical leave. I email my grandmother's assisted living facility and request a meeting about her care plan, in person, for Friday.

And then I open a blank document on my laptop.

At the top I type one word.

List.

Underneath it, I begin.

Evidence. Finances. Grandmother. Apartment. Passport.

I type slowly. My ribs still hurt. My hand is steady.

Outside my window, the city moves without me. Inside, the cursor blinks. I press my thumb to my wrist.

Still here. Still mine.

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