
HIS CONTRACT WIFE IS HIS RUIN
He married her to control her.
To break her.
To own her.
Seraphina let him believe it.
She plays the quiet wife-
soft voice, lowered eyes, perfect obedience.
But behind every smile...
is a plan he was never meant to survive.
Because this marriage was never about love.
Not even power.
It was revenge.
And when Lucien finally uncovers the truth-
when he realizes who she really is...
he won't be fighting to keep her.
He'll be begging to escape her.
Chapters
Share
Chapter 6
Before the others notice, she catches the sound. It reaches her first, quiet as it may be.
This isn't some gut feeling - just repetition. Over six weeks, she studied how sound moves through spaces where Lucien Voss spends his time, realizing messages here never shout. They arrive via tilted shoulders, a glance at a screen too often, hushed words stretched tight between people pretending silence. Every flicker reaches her now.
Lessons began at one meal, under Dorian Vael's unblinking stare, when she saw speech matters less than what stays locked behind teeth.
Midnight nears, and the Voss Foundation event hums with voices. Four hundred figures drift through a room brought back to almost exact 1920s splendor - gilded edges, rich timber walls, crystal lights spilling brightness like dropped change.
Money flows toward schooling tonight, pledges for classrooms in three areas, totals to be named, met with claps, then tucked into ledgers by those offering them.
This script she has studied before. That morning, she ran lines quietly as Lucien chewed toast across the counter, lost behind quiet eyes - he saw her there, just didn't really see.
Tonight, black clothes her. Not because someone decided, but because she did.
When the garment bag arrived, brought by Mrs. Albrecht, inside lay emerald green - bold enough for cameras, fitting for an evening event - yet she returned it to the hanger without hesitation. Instead came the black one, already waiting in her closet since twenty-one days before. Sharp lines define it. Exact seams shape it.
This darkness doesn't hide; it speaks by staying still.
Downstairs, she caught his eye. Longer than normal. Not a word passed between them - still, she saw it as okay, maybe even agreement. For Lucien, silence often means consent.
Here she walks, slipping past crowds of faces, glass in hand, dark fabric brushing legs, pretending not to be seen - then sound cuts through. A whisper. A name. Something shifts.
Near the east hall, two women face slightly aside, carrying silence like a weight only messengers know. Fragments slip out - conversation started, message forwarded to Meridian's top name, possible print by dawn - so she eases her walk but keeps going, hovering just within earshot while staying ordinary.
One woman wears the uniform of Lucien's media group. Seraphina recalls her from high-floor rooms - early thirties, alert eyes, always wound tight. Tonight, that tension has tipped into something sharper, almost rehearsed fear.
She catches enough.
Three times now, ever since that initial dinner, she'd talked to Dorian Vael - each exchange measured, cautious, like balancing coins on a ledge. Two weeks back, he slipped it in - not forced, never forceful - a nameless reporter. Tied to Meridian Group. Holding quiet on Hargrove.
Timing their move. His eyes met hers across the rim of his cup. It hit me suddenly - this was something only you needed to hear. Not Lucien. Just you. The weight of it landed differently when I pictured your face instead of his.
It sat in her mind. Three choices followed - no words shared, just silence held tight while time moved slow, wondering when things might shift.
Right now might just be the time. Tonight seems like when things happen.
A slow step carries her away from the tray, leaving the flute behind. Her path shifts direction now, aimed at the woman managing guest arrivals.
Movement flows without rush, purpose clear but unhurried. The moment holds still even as she closes the distance.
Patrick runs Voss Foundation events. Four years deep into the work, he moves quietly through the night checking the schedule by the stage. She walks up just as he glances over - same expression others wear around Lucien's circle: calm surface, no real welcome, a pause that asks without asking where she fits. He does his job well.
That much is clear. It is also clear he carries an old fear of Lucien, one born from seeing what happens when things go wrong.
The silence between them stretches, thin and careful.
"I need the program adjusted," she says. Quietly. Pleasantly. The tone of a woman making an observation rather than a demand. "The remarks before the pledge segment - I'd like Mr. Calloway-Hewes moved ahead of Senator Hargrove. Put Hargrove after the video package."
Patrick blinks. "Mrs. Voss, the senator's office confirmed his slot at - "
"I know." She smiles at him. "Please make the adjustment. If Senator Hargrove's team has questions, refer them to me."
It comes out just like she rehearsed, steady as a breath held too long.
Without hurry, almost soft, the kind that slips past resistance before it notices. Not sharp like Lucien's orders, never that. A hush instead, which turns out works better than force ever did. Those who shout get negotiated with. The quiet ones? They're followed without thinking.
He tweaks it just right.
Out of nowhere, there he is - Lucien's communications lead, that same girl from the hallway. Her name slips out: Cara. Eyes widen just a fraction when Seraphina shows up beside her, close enough to catch the quick breath she tries not to take.
"The Meridian piece," Seraphina murmurs, matching her words to the hush around them. Could it be active?
Cara's expression confirms everything. "Not yet. They're holding for a quote. The editor contacted our press line twenty minutes ago and - "
"Give me the number."
"I'm sorry?"
Her voice breaks the silence. Eyes locked on Cara's expression. Stillness fills the room.
A pause stretches between them. The request comes again - softer now. Just a single phrase hangs in the air
A breath hangs in the air - heavy with weighing loyalties, measuring danger - then Cara pulls her phone free, reciting words to her.
Seraphina taps each one into her device, knowing every keystroke is watched, thinking: let him watch. Let him stare at it without grasping its meaning.
Beyond the ballroom's glow, she slips down the hall. A tucked-away spot appears - sheltered by blossoms climbing a pillar. There, among hushed air and petals, her fingers move across the phone.
Faster than expected, the phone picks up.
It's Mark Chen from Meridian Group, already holding his breath. Waiting comes easy when you know what's at stake. A statement is wanted - just one - from Voss people about the article linking Senator Hargrove's decisions on school money to three straight donations by the Voss Foundation.
Nothing hidden there, mind you; every bit follows the rules, written down clearly somewhere. Yet, placed beside tomorrow's headline, it hits like a dropped weight.
Truth makes it hard. This one happened just like told. Every bit of it really occurred.
"Mr. Chen," she says.
"This is Seraphina Voss. I imagine you were expecting someone from communications." She lets the warmth in her voice be genuine, because it disarms faster than professionalism. "I'll save us both time. I'm not going to ask you to kill the piece."
A silence came from him. Adjusting again.
"What I'd like to offer you," she continues, "is the larger story.
The Hargrove relationship is one data point. What you don't have yet is the full scope of the Foundation's restructured grant model - which, as of the board meeting three weeks ago, includes a blind review committee specifically designed to remove the kind of direct access that makes tonight's story interesting."
A beat. "I can get you a sit-down with the committee chair before the end of the month. Full documentation. That's a better story, Mr. Chen. It has an arc."
Her ears catch what he does not say. The quiet around him changed somehow, moving past calculation into something softer, closer to care.
"You'd still run something tonight?" she asks, giving him the choice, giving him the dignity of the decision.
"Of course. But I'd ask you to include the restructuring announcement. We're releasing it tomorrow regardless." She pauses.
"I'm simply offering you the context that makes it news instead of scandal."
When the phone conversation wraps up, just six minutes on, Mark Chen says he'll keep the item back till tomorrow. He'll add that line about reorganizing. Plus, he signals he's open to meeting face-to-face. The agreement stands by then.
For just a second, she stays still in the small recess. Thick blooms rise at her side, pale and heavy with scent. A single breath fills her lungs, even and calm. After that pause, her hands glide down the fabric of her gown before stepping again into the room where music plays.
Exactly how she figured it would, the program change runs without a hitch.
After Hargrove steps back from the screen, the senator sits through most of a short documentary on kids stuck in poor schools.
When he finally stands to speak, his prepared lines feel lighter, changed somehow - like they brushed up against truth.
Maybe it's the first moment tonight he seems aware of what brought him here at all. People notice.
The clapping afterward carries weight, unlike the usual polite noise found in places like this.
Out front, Lucien stands still. Yet his gaze sweeps the crowd - a flicker in his eyes, like he walked into another kind of quiet than the one he prepared for.
Something shifted, but he cannot name it. Why did it happen?
That stays hidden.
Third table along, she sits beside Helena Marsh. Forty minutes of charm and mystery mixed even now by Helena, who stays silent through the clapping. Only when the noise drops does she tilt a little toward Seraphina.
Her voice comes low, eyes still fixed ahead:
"They altered the schedule." Then quiet again
"Did that happen," Seraphina asks.
For a second, Helena Marsh says nothing. Her hand moves to the wine glass.
"Tonight, the Meridian story won't run," she adds.
That wasn't meant to be an inquiry.
Seraphina says nothing.
Her gaze shifts toward the other woman - sharp, unblinking, the kind earned through years of silence in hostile spaces.
That stare lingers, heavy with quiet calculation. Seraphina returns it without shift in posture or expression, steady like someone who knows when to stay motionless. Nothing extra passes between them.
Back at the room again, Helena lifts the glass. A pause. Then she drinks, slow, quiet.
"Huh," she mutters, not aiming it at anyone nearby.
Later, by the bar, she stands close but apart, holding a glass of water while night winds down. A cluster of voices rises beside her - four men deep in talk. Two faces she knows from finance circles. One linked to Lucien's lawyers.
Then there's Gideon Hammond, gesturing too freely, words spilling easier than sense after extra rounds. Her presence slips through their notice like background noise. Not invited in.
Never acknowledged. Just nearby, still, dressed in black, listening without intent. They glance once, decide nothing matters, go back to what they were saying.
A glance at the screen fills her attention until Hammond speaks - his words meant to slip under ears, yet landing loud enough to catch.
"Did you see her manage Chen? Someone told Cara she just - she called him herself and just - " a pause, a short laugh of genuine disbelief, " - I don't even know what she said to him but the piece is buried until morning and apparently we're getting a sit-down out of it - "
A word slips past her ear, spoken by a man in a banker's suit.
"No, that's what I'm saying," Hammond continues. "Nobody asked her to. Nobody even knew she - " he stops. Lowers his voice further, but not enough. "She just did it."
A hush fell between the three of them. Stillness hung in the air without warning. Not one moved right away.
Then came a voice - calm, steady - belonging to someone on Lucien's legal staff, though she does not know his name: "Appearances do not match who she really is."
Into the hum of voices, her voice slips without echo. Talk flows like before. Another glass appears in Hammond's hand. Her presence goes unseen by all.
Her eyes drop to the screen in her hand.
Her face stays still. Never in this place, nowhere it might show.
Midnight rides. That's when she keeps it close, tucked away inside the car where shadows stretch long across seats and streets blur by outside.
Lucien sits next to her, eyes fixed on his device like usual - fingers tapping, glow lighting his chin. But then - a shift. Just once. His gaze slips sideways.
Lands on her profile. Sharp. Quiet. Not a word comes, but something shifts beneath his stare: unfamiliar. Unnamed. She holds still. Feels it settle into bone.
She will learn it.
Outside, light shifts slow across glass while she stays still. He watches then, drawn by what moves beyond panes. Her gaze never leaves that view.
Keep Reading
The story is getting intense! Switch to App to
Unlock All Chapters
You may also like

8.0
On the night of their third wedding anniversary, Ashley was ready to reveal a secret to her husband-
She was pregnant.
But moments after their passionate intimacy, her Alpha coldly delivered the blow-he wanted a divorce.
His fated mate had returned.
Stripped of her wolf spirit, abandoned by the pack, and carrying his child, Ashley was cast aside like a disposable Omega.
Just as she prepared to leave alone-
The boy she had once rejected had now risen as the most formidable Alpha King. The possessive hunger in his gaze sent shivers through her-did she dare face him? Was this vengeance, or something more? But did she even have a choice?

7.7
Not only was I drugged, blinded and assaulted. I was deceived into carrying a baby by a stranger I never knew. Then he appeared and took my child away.
I was sent to a militia by the father of my child. I thought I was rescued but I was recruited to be a weapon for killing. Who was manipulating me, I didn't know. The answers were far from what I knew.
Forced to blend into the world that I could never believe I would be to, a place where brutality reigned, kill or be killed was the only language. I have survived but he has to pay for everything he did to me, because I believed every phase of my life was set by him and him alone. Have I really survived?
Who would have thought, he existed twice in the same world? Do I really know who I should take revenge on? Him or the person I would sacrifice everything for?
Was my mother the one who orchestrated everything? What kind of pawn am I?

9.2
She loved him until she lost herself.
Now, behind locked doors and shattered glass, she must learn to breathe again.
When she first met Lloyd, he was magnetic and intoxicating. The kind of man who turned every head when he entered a room, who spoke in promises sweet enough to taste. With him, she felt chosen, cherished, and safe.
But safety was an illusion, and love became a weapon.
And slowly, piece by piece, he dismantled her until nothing of the woman she once was remained.
Now institutionalized after a breakdown, she begins to piece together the brutal truth of what really happened in the shadows of their love story. Memories sting like open wounds: the manipulation disguised as tenderness, the apologies that blurred into threats, the desperate hope that tomorrow he'd be the man she fell for again.
Yet beneath the grief and the shame, a quiet rebellion stirs, a vow to reclaim her voice, her freedom, and her life. Because this is not just a story of how she fell apart. It is a story of how she rises.
Haunting, raw, and achingly intimate, Boys like him peels back the glittering mask of a toxic love affair to reveal the kind of darkness that hides in plain sight, and the unbreakable strength it takes to escape it.

9.1
My husband, Dante Moretti, the feared Underboss, signed the divorce papers I slipped him without a glance. Too busy texting his true love, Sofia, he was blind to the annulment decree ending everything. The Reaper couldn't see the death of his own marriage.
For three years, I was Elena, his silent wife, the "Caged Canary," cleaning his messes while meticulously planning my escape from our loveless world.
He dismissed me for Sofia's every whim, publicly shaming me after a past love letter was read, then abandoning me again for her fake crisis.
That night, he violently shoved me against a wall, leaving me bleeding and concussed, rushing instead to protect Sofia. Discarded and injured, my invisible love became a weapon against me.
His crushing blindness, the cold realization I was a mere placeholder, fueled a profound injustice. How could he be so lethal, yet oblivious to his wife, favoring the one who betrayed him?
With chilling resolve, I uploaded Sofia's confession, initiated a massive financial transfer dismantling his empire, and staged my own death. Under a new identity, I fled to San Francisco, ready to build my power, far from his bloody, deceitful world.

9.7
I was an intern nurse working exhausting shifts, yet my mother constantly forced me into blind dates with wealthy, arrogant men to secure our family's social standing.
During a terrifying hospital lockdown, an assassin disguised as a doctor held a scalpel to my throat. I was almost killed, but a high-ranking military colonel threw his own body down a flight of concrete stairs to shield me.
I survived with cuts and bruises, but when I went home, my mother didn't care about my near-death experience. She was only furious that I had rushed out on my blind date with Preston, a rich financial analyst.
She forced me to meet him to apologize. When Preston grabbed my arm, bruised me, and mocked my attack as a pathetic lie, my mother still took his side.
"Men get angry," she told me coldly. "It's your job not to provoke them. You will beg for his forgiveness, or you are no longer welcome in this house."
I had narrowly escaped an assassin, yet my own family was willing to feed me to a monster just for a fat paycheck and neighborhood gossip.
My heart went completely dead.
So, when the intimidating Colonel appeared, offering me maximum military protection through a sudden marriage, I didn't hesitate.
I walked back into my parents' house and calmly slapped a crisp marriage certificate onto the coffee table.
"I won't be apologizing to Preston. I got married today."

8.9
Ava Kidd just wanted to escape her abusive stepmother when she got drunk at a high-end club and stumbled into the wrong hotel room.
She woke up the next morning in a luxury penthouse, lying naked next to a terrifyingly handsome man covered in her scratch marks.
Recalling rumors of the hotel's secret underground concierge, she immediately assumed she had accidentally slept with an elite male escort.
Desperate to settle the bill, she offered him her only debit card with a pathetic $1,800.
But the man, who was actually Garrison Terry, the ruthless billionaire CEO, was deeply insulted by the cheap plastic.
He trapped her against the bed, coldly demanding a half-million-dollar service fee.
When Ava frantically offered her dead mother's tarnished locket as collateral, he cruelly dismissed it as worthless junk.
Ava was humiliated, her heart pounding with absolute terror.
She didn't understand why this arrogant gigolo was acting like a deranged extortionist, demanding a fortune from a broke girl who had clearly made a mistake.
Furious and refusing to cower, she sneaked out, put on his oversized designer shirt, and aggressively ate his $800 truffle breakfast.
Having no money left, she grabbed her cheap red lipstick, wrote a defiant IOU on his expensive linen napkin, and fled the hotel.
She thought she had escaped a criminal, but upstairs, the billionaire traced her lipstick-stained name with a predatory smile.
"Ava Kidd, I will absolutely find you."