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Chloe Decker has spent her whole life trying to stay out of trouble especially the kind that rides a motorcycle, wears a leather jacket, and smirks like the world belongs to him. Unfortunately, that trouble has a name: Alfie. They go to the same school, live in the same town, and hate each other with a passion that could burn down the world. He's the arrogant son of the Black Fangs MC President, while she's the quiet girl who wants nothing to do with the club or its reckless members. But when a cruel prank, a dangerous secret, and one unexpected night throw them together, Chloe's world begins to unravel. Alfie isn't just the ruthless biker everyone fears he's also the boy who can't stop looking at her like she's the only thing keeping him alive. Every fight between them feels like a spark. Every touch feels like a threat. And soon, their hate turns into something much darker and much harder to control. In a world filled with roaring engines, loyalty, and betrayal, love was never supposed to happen especially not between enemies. But fate has other plans, and Chloe will soon discover that sometimes, the most dangerous hearts are the ones that were meant for you all along.

Four hours. Two strangers. One dead elevator.Aria Vance is just a mid-level manager at Blackwood Global, a trillion-dollar empire she's served for years without ever seeing the face of the man at the top. She's overworked, under slept, and currently trapped in an elevator with a man who looks like a fallen god and speaks with the warmth of a glacier.When a sudden fever leaves Aria clinging to the mysterious stranger for warmth, she thinks she's hit rock bottom. She doesn't know that the "executive" she's drooling on is actually Killian Blackwood-the Trillionaire King of the North American Packs.Killian knows the moment Aria touches him. The scent of rain and starlight. The spark in his blood. Mate. But when the doors finally pry open, Killian does the only thing his socially stunted heart knows how to do: he retreats behind his icy mask. Now, Aria is determined to ignore the "scary guy" from the elevator, while Killian-the man who owns the city-finds himself "accidentally" inspecting her department every single day. But in a world of pack politics, corporate sabotage, and ancient blood feuds, being the King's mate is a death sentence. Aria doesn't know he's a wolf. She doesn't know he's her boss. And Killian? He just doesn't know how to tell her without losing her forever.

"Tristan! Help!" I called out his name again. It was not a scream but a command. He didn't even flinch. "You know the rules, Juniper," he said, his voice fearfully calm. "I don't touch you. Don't use a fall to trick me into breaking those rules." .... But this mess is over. I'm done playing love with him. I'm returning to the Vangough seat. And as for the man who was allergic to my touch, he's just about to find out how much it hurts when I finally let go-and take my empire with me. Tristan wants a divorce. But I'll give him a battle he will never be able to endure.

I was going to tell my husband I was finally pregnant. Instead, I found police at my door, arresting me for his murder. Someone faked Chris's death and framed me with a man I've never met: Von Castellano, whose wife conveniently provided evidence against us both. The proof is flawless. The conspiracy is airtight. And I'm thrown into a men's prison where I lose everything, including my baby. But Chris isn't dead. He's alive, living in paradise with my high school rival and my company's fortune, after poisoning me for years to ensure I'd never have his child. Von isn't just any man. He's the secret son of a mafia king, and he's ready to reclaim the throne he abandoned. Now we're married. Not for love but for survival. For revenge. For power. They destroyed us once. Together, we'll become the nightmare they never saw coming. Because I don't forgive. And I never forget.

Natalie Harrington never expected that less than a year after remarrying, Adrian Brown would cheat on her again. As the design director of Brown Group, she had worked late into the night once again. When she returned home, she saw the servants standing in a row at the foot of the stairs, blocking the way. The moment they spotted her, their faces turned deathly ashen. "Mrs. Brown... why are you back? Didn't Mr. Brown say you'd be working through the night and wouldn't be coming home? I... I'll go upstairs and ask him to come down." As the servant turned and went upstairs, Natalie heard the sounds coming from above. "Ah... that feels so good! Adrian, slow down, I can't take it..." "Go on. Louder. Natalie isn't home anyway. You can scream all you want." "You're so bad... ah!" Seeing Natalie's expressionless face, the servant asked nervously, "Mrs. Brown, I'll go tell Mr. Brown right away that you're back." "No need." Natalie turned and walked toward the dining room, her voice calm. "I'm hungry. Prepare a late-night meal for me." The servants were utterly shocked, not expecting her to remain so composed, unaware that she had already decided to divorce.

For three years, Aria Thorne was the "worthless" wife of Mark Woods. She lived in a modest apartment, wore thrift store clothes, and endured the constant abuse of her mother-in-law, all to support Mark's dream of becoming a tech mogul. She believed in their love until the day Mark's company went public. Instead of a celebration, Aria is met with divorce papers and a cold confession, Mark has been seeing his childhood sweetheart, a famous socialite, and he needs a wife who can "elevate his status." Heartbroken but done with her masquerade, Aria signs the papers and vanishes. The world is shocked when the reclusive "Princess of the Thorne Group" the world's largest conglomerate suddenly steps into the spotlight. Now, Aria isn't just a housewife, she's Mark's biggest competitor. As Mark's empire begins to crumble without the secret financial backing Aria's family provided, he realizes his "simple" wife was the most powerful woman in the country. But now, she has a new man by her side, and Mark will have to crawl through glass just to get her to look at him again.