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When My Husband’s Mistress Stole Five Years of My Life Novel Cover

When My Husband’s Mistress Stole Five Years of My Life

The penthouse was always cold. It was a sterile, museum-grade chill that preserved expensive art and dead marriages. I sat on the edge of the sprawling white sofa, my hands folded in my lap to hide the tremor in my fingers. My left arm throbbed—a phantom ache where the needle had lived for five years. Wesley didn’t look at me. He stood by the floor-to-ceiling window, the Manhattan skyline reflecting off his scotch glass. He was a silhouette of sharp lines and ruthless ambition, the man I had bled for, quite literally, since the day I said *I do*. "The doctors cleared her this morning," Wesley said. His voice was devoid of inflection, a flat line. "Emilia’s numbers are stable.
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Chapter 2

Five years is a long time to be dead.

I built an empire in that silence. Jenkins-Young Capital rose from nothing, fueled by late nights in a cramped London flat with True sleeping in the next room and Tucker bringing me coffee at three a.m. The financial district didn't care about my scars or my past. They cared about returns, and I delivered.

I didn't think about Wesley. That's what I told myself, anyway.

But Tucker knew better. He saw the way my hand drifted to my left arm during board meetings, fingers tracing the faint white line that never quite faded. He saw how I flinched at the sound of ice clinking in glasses.

"You don't have to go back," Tucker said the night before we left for New York. True was asleep upstairs, clutching the stuffed lion Tucker had won him at a carnival. "The Met Gala isn't worth it."

I looked at him across the kitchen table. He'd aged well—laugh lines around his eyes, silver threading through his hair at the temples. He looked like home.

"I'm not going back," I said. "I'm going forward."

***

The call came to Wesley at two in the morning.

Emilia had collapsed at the Plaza during a charity luncheon, her champagne flute shattering against marble as she went down. The ambulance ride was a blur of sirens and the acrid smell of fear. Wesley sat in the ER waiting room, his thousand-dollar shoes squeaking against linoleum that had seen too much tragedy.

Dr. Mitchell—older now, grayer, but still taking Wesley's money—delivered the news with clinical detachment.

"The condition has returned. Aggressively." He adjusted his glasses, a nervous tic. "Her body is rejecting standard treatments. We need the phenotype match again."

Wesley's world narrowed to a pinpoint. "Find a donor."

"We've checked every registry. Globally." Mitchell's voice dropped. "There are no matches, Mr. Stone."

"Then check again." Wesley's hands were shaking. He shoved them into his pockets. "I'll pay whatever it takes. Ten million. Twenty. Name your price."

"Money can't manufacture blood, Wesley."

The use of his first name felt like a slap. Wesley looked down at his forearms, at the ink that had become his penance. *Celine Young. AB-negative.* The letters were elegant, precise, a permanent reminder of what he'd thrown away.

His resource was gone. His wife was dead. And Emilia was dying.

He laughed then, a sound like breaking glass.

***

The private investigator's name was Reeves. He was expensive, discreet, and very good at finding ghosts.

The photo was grainy, pulled from a security camera outside a building in London's financial district. The woman's profile was partially obscured by a curtain of dark hair, but the angle of her jaw, the way she held her shoulders—

Wesley's breath stopped.

He was on a plane within the hour, ignoring frantic calls from his board about a merger vote, about stock prices, about the empire that was crumbling while he chased shadows.

London was gray and cold, the kind of damp that seeped into bones. Wesley stood across from the building for two days, drinking terrible coffee and watching the revolving doors. Reeves had given him the schedule: she arrived at eight, left at six.

On the third day, she emerged.

She was different. Sharper. Her hair was shorter, cut in a severe line that framed her face like a blade. She wore a charcoal suit that probably cost more than the one he was wearing, and she moved with the confidence of someone who owned the ground beneath her feet.

She was laughing.

The man beside her was tall, familiar in a way that made Wesley's stomach turn. Tucker Jenkins. The friend from college, the one who'd always looked at Celine like she was something precious.

And between them, holding Celine's hand, was a boy. Small, dark-haired, with a stubborn set to his chin that Wesley recognized from his own childhood photos.

The world tilted. Wesley's vision blurred at the edges, his pulse roaring in his ears.

She was alive. She had a child. She had a life.

And she was smiling.

Rage replaced shock, hot and consuming. He stepped off the curb, but they were already gone, disappearing into a black car that pulled away before he could move.

Wesley stood in the middle of the street, traffic honking around him, and realized he'd been haunting the wrong ghost.

***

The Met Gala was a circus of wealth and vanity. I'd chosen my gown carefully: blood red, a shade that photographed like a wound under the flash of cameras. The slit ran high up my thigh, and the back was open, exposing skin that no longer bore the bruises of needles.

Tucker stood beside me in a classic tux, his hand warm and steady at the small of my back. True was safe in London with Sarah, who'd promised to let him stay up late watching cartoons.

"Ms. Young!" A reporter shoved a microphone toward me. "Who are you wearing?"

"Myself," I said, and smiled.

"And your date?"

I turned to Tucker, letting the cameras catch the way he looked at me—open, adoring, real. "My fiancé, Tucker Jenkins. We're co-founders of Jenkins-Young Capital."

The crowd shifted. I felt him before I saw him.

Wesley stood at the top of the stairs, Emilia draped on his arm like a wilting flower. She was thinner than I remembered, her skin translucent under the lights. But it was Wesley I watched.

He'd seen me. His face had gone white, then red, his jaw clenching so hard I could see the muscle jump from twenty feet away.

He abandoned Emilia with a whispered command to an aide and cut through the crowd like a shark through water.

His hand closed around my left arm—the scarred one—and I felt the old phantom pain flare.

"Celine."

I looked down at his hand. At the way his fingers pressed into my skin, trying to claim, to control. Then I looked up at him.

"Remove your hand," I said. My voice was quiet, clinical. "Now."

He didn't move. His eyes were wild, searching my face like he could find answers written there.

I didn't flinch. Didn't blink. Just stared at him with the same empty expression he'd given me five years ago in that cold penthouse.

He released me like I'd burned him.

"You're alive," he breathed.

"Legally, I'm very dead." I smoothed my dress where he'd touched it. "You signed the certificate yourself. I have a copy framed in my office."

"Celine, I—"

"This is Tucker Jenkins," I interrupted, turning to the man beside me. "My fiancé. We're very happy."

Wesley's face twisted. "You're my wife."

The words hung in the air. Around us, people were starting to stare, phones lifting to capture the drama.

I smiled then, cold and sharp as winter.

"I was never your wife, Wesley. I was your blood bank." I leaned in close enough that only he could hear. "And you're all out of withdrawals."

I took Tucker's arm and walked past him, leaving Wesley Stone standing alone in a sea of cameras, finally understanding what it felt like to be the one left behind.

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