The Faceless Ballerina

I fought my sister, Anna, for two lifetimes to become the Donna.

In my first life, I got what I wanted. I became Lorenzo's woman. People said he loved me as if I were the air in his lungs. When he learned that I loved to dance, he bought an entire ballet company to keep me onstage.

Then he broke my legs. He confined me to a wheelchair and displayed me like an ornament.

One day, he brushed his fingers across my face and finally told me the truth.

"I've seen enough dancing," he said. "And the one I truly love was never you."

I died in that room, swallowed by despair.

In my second life, I stepped aside and gave the Donna's seat to Anna.

"You go," I told her. "The one Lorenzo really loves is you."

I believed that choice would save us. I believed Anna would have the happy ending I never did.

Five years later, they sent her back.

Her legs were intact this time, but she couldn’t move them either.

Lorenzo no longer treated her as a person. He had turned her into a ballerina statue, encased in plaster and posed at what he called her most beautiful moment, frozen in place.

His men delivered the message without a trace of feeling.

"He got tired of watching the younger sister dance," they said. "So he preserved her at her most beautiful."

When I opened my eyes again, I found myself in my third life. Once more, the Don's men delivered a ballet invitation.

Anna and I stared at it. The same question burned in both of us.

If neither of us was the one he loved, then who was Lorenzo really watching?

The invitation card bore no signature. Only a single line of gold-embossed text gleamed across the front: [Three days from now. See you at the theater.]

I stared at the elegant cardstock as a chill crept up my spine.

My sister, Anna Rossi, snatched the card from my hand and turned it over repeatedly. "No name?"

My mother, Antonia Rossi, stepped out of the kitchen, drying her hands. She looked past us at the man standing in the doorway.

"Which one of my daughters does the Don want to take to the ballet?" she asked.

Then, as if the answer were obvious, she added, "Is he inviting Isabella?"

I was Isabella Rossi. My mother asked because Lorenzo Falcone and I had known each other since childhood. People called us childhood sweethearts, as though the label itself proved something. I once believed we loved each other.

After everything I had endured, I understood one truth with absolute clarity. Lorenzo did not love me.

The messenger stood beneath the porch awning, his expression flat. Sunlight cast a long shadow behind him.

"Ma'am, the Don did not specify a particular person." he said.

My mother's brows drew together. The response clearly displeased her. "Sir, an invitation from the Don should include a name."

The man raised his eyes. His gaze shifted from me to Anna and back again, as if weighing two identical objects.

"The Don's meaning was simple," he said. "Anyone from the Rossi family will do. Either one."

The words closed around my throat like a familiar grip.

Memories from my first life surged forward so sharply I tasted iron. The recollection of bones snapping in my legs jolted me fully awake.

I stepped back and spoke plainly, leaving no room for argument. "I'm not accepting the invitation."

In my first life, I had heard those same words—anyone will do—and mistaken them for a private signal from Lorenzo. I dressed without hesitation and went to the theater.

After the ballet performance, Lorenzo proposed. I received what I believed I wanted and became the Donna.

Once we married, he told me he was obsessed with my dancing. He purchased the theater and required me to perform onstage every day to satisfy that obsession.

At first, it felt almost normal. Then the demands tightened. He corrected the curve of my skirt, the angle of each turn, and the exact placement of my hair. He demanded perfection in increments too small to measure and treated rest as a privilege I had not earned.

For five years, I danced for him day and night. In every other aspect of our lives, Lorenzo remained gentle and patient, almost tender.

When it came to dancing, however, I had no right to refuse.

People in Cesielle envied our love story. They spoke of us as proof that God still showed mercy.

They never saw the cost.

In the fifth winter, I collapsed during practice from exhaustion and strain. I struck the floor hard enough to rattle my teeth.

Lorenzo forced the doctor out. Then he broke my legs himself. As pain climbed high enough to nearly steal my consciousness, he leaned close and said, "I'm sick of this dance. You're worthless now. Go on and die quietly."

I sobbed and begged for an answer. I needed to know why. I needed to know what I had done wrong.

He seized my chin and forced my face upward.

"Fine," he said. "I'll tell you. The one I truly loved was—"

I never heard the rest. I died.

The memory of that first life left my hands trembling, but it sharpened my mind.

I met the messenger's gaze and steadied my voice. "Tell the Don I fell while practicing a few days ago and scrambled my brain. I hate ballet now."

Anna caught my wrist, panic flickering in her eyes. She leaned close and whispered, "Are you insane? Refusing the Don like that…"

My mother knew what I had sacrificed to become the Donna. When Lorenzo was injured, I cared for him myself. When he needed to assume control of family business, I abandoned my own ambitions to remain at his side. I loved him with a heat that should have burned out long before it did.

When my mother looked at me, confusion and worry clouded her eyes. "Isabella, you used to care for the Don more than anything. Why would you suddenly—"

I shook my head once, firm and final.

My mother studied me a moment longer, and her expression shifted. She understood. Not my words, but the weight behind them.

She drew a steadying breath, turned to the messenger, and forced a thin smile. "Sir, then I will send my other daughter, Anna Rossi. She enjoys watching ballet."

Anna's face drained of color. Her body jolted, and the protest escaped before she could stop it. "Mom, I'm not going either!"

My mother's brows snapped down, and her voice sharpened. "And what is your reason? The Rossi family cannot afford to offend the Don."

Anna shot me a quick glance, then searched for any excuse to raise as a shield. "I hurt my eyes recently. I can't see clearly. I can't appreciate art."