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The Devil's Heir at Blackwell Academy

The Devil's Heir at Blackwell Academy

Jane Carter was supposed to be grateful. Her mother's billionaire boyfriend, Richard Hale, plucked them from a leaking two-bedroom apartment and dropped them into the elite Blackwell Academy, it felt like winning the lottery. But at Blackwell, the air is thin and the students have "sharper teeth". ​Standing in her way is Edmund Hale, the school's arrogant prince and her new stepbrother. He's cold, lethal, and determined to see Jane break. But as Jane uncovers the truth behind her father's imprisonment and the dark "Mountain View" clinic where the Hales hide their secrets, she realizes Edmund isn't just her rival, he's a fellow prisoner. ​In a house built on lies and a school ruled by status, Jane must decide: Will she play the part of the perfect, grateful daughter, or will she team up with the boy who hates her to light the whole gilded cage on fire, as a forbidden love grows between them?.
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Chapter 7

The air in the grand dining room felt heavy with unspoken threats, like trying to breathe through wet velvet. Richard sat at the head of the table, the light from the crystal chandelier reflecting off the silver service with a cutting brightness. He appeared to be a satisfied patriarch, slicing into a medium-rare steak with a precision that suggested he imagined it was someone's throat. My mother sat to his right, her smile fixed and fragile, like glass that had been glued back together too many times. Across from me, Edmund sat like a statue of defiance. He hadn't touched his food. He kept his hands in his lap, his eyes fixed on a spot above Richard's head. He looked like he was preparing for a fight. "The wine is excellent, darling," my mother said, her voice a touch too high. "Don't you agree, Richard?" "Superb," Richard replied, not looking at her. He wiped his mouth with a linen napkin and finally turned his gaze toward us. "But I didn't call us together tonight to discuss the cellar. I want to talk about optics. Edmund, do you have any idea what the board of governors at Blackwell is saying today?" Edmund didn't blink. "I don't keep up with the gossip of old men in cardigans, Father." Richard's eyes narrowed. "They are discussing a scandal. They are talking about my son and my soon-to-be stepdaughter appearing in compromising photos on social media. They are talking about instability in the Hale household." "It was a photo of two people walking to a car," I said, my voice steadier than I felt. The polaroid in my pocket felt heavy against my leg. "The only ones making it a scandal are those who want one." Richard focused on me. It felt like being caught in a spotlight. "Jane, you are young. You don't understand that in our world, perception is reality. If people believe there's a rift-or worse, an inappropriate connection-between you two, it devalues everything I have built. It makes us look like a soap opera instead of a legacy." "Is that what this is about?" Edmund asked, his voice dripping with sarcasm. "The stock price? God forbid people think we're actually human beings with complicated lives." "I expect you to act with dignity," Richard snapped, the polite facade slipping to reveal the cold truth. "I have worked too hard to bring this family together to let it fall apart because of teenage rebellion. From now on, you will not be seen together outside this house. Jane, you will take the bus or a car service. Edmund, you will resume your duties with the student council and stay away from scholarship circles." The silence that followed was deafening. I looked at my mother, hoping for some maternal support, but she was preoccupied with the pattern on her china plate. She had traded her voice for safety, and she wasn't willing to risk it now. "And what about my father?" I asked, my voice barely a whisper. Richard's expression softened into a disquieting, paternal falsehood. "Your father is being looked after, Jane. But his safety depends on the stability of this house. If the press starts digging into us because of your behavior at school, they might start digging into him. And we wouldn't want his incident to become public, would we? It might complicate his parole." It was a direct blow. He was telling me, as clearly as if he'd yelled it, that my father's life was the price for my compliance. I felt a hand brush against my knee under the table. It was Edmund. His touch was firm, a silent signal of support in the dark. I didn't pull away. "We understand," Edmund said, his voice empty. "We'll play our parts." Richard smiled, warmth returning to his face like the sun breaking through clouds. "Excellent. I knew I could count on your maturity. Sarah, tell them about the florist for the engagement party." The rest of dinner became a masterclass in psychological warfare disguised as wedding planning. My mother discussed peonies and silk runners while the three of us silently played a game of chess. Every time Richard looked at me, I saw the man in the shadow of the polaroid. Every time I looked at Edmund, I saw the boy who had watched his mother's portrait shatter. When the meal finally ended, I fled to the gardens. I needed air that didn't smell like Richard's cologne. I stood by the fountain, the sound of the water drowning out the noise of the house, when Edmund appeared beside me. He didn't say anything at first. He only stood there, looking up at the moon. "He's getting desperate," Edmund said finally. "He's threatening my father's life, Edmund. That's not desperate, that's certain." I pulled the polaroid from my pocket and handed it to him. "Someone left this in my locker today." Edmund took the photo, his brow furrowing in the moonlight. He flipped it over and read the note: He's talking. Stop him. "Who is the man in the shadow?" I asked. Edmund's face went pale. "That's not one of Richard's men." "Then who is it?" "It's a lawyer," Edmund whispered. "A man named Marcus Thorne. He used to work for the firm before he was disbarred for unethical behavior. My mother once told me Thorne knew where all the bodies were buried. If your father is talking to him, it means he's seeking a way out that doesn't involve Richard's help." "But the note says 'Stop him.' Richard must have sent this." "No," Edmund said, handing the photo back. "Richard wouldn't send a polaroid to your locker. He's too careful for that. This came from someone who wants us to turn against each other. Someone who wants to provoke a crisis." "Jessica?" "Maybe. Or perhaps someone even closer." Edmund looked back toward the house, focusing on the window of Richard's study. "There are people in my father's circle who think he's softened because of your mother. They want him focused on business, not on a new family. They might be trying to trim the branches." I looked at the photo of my father-fragile, broken, and surrounded by wolves. "I have to get to him. I need to know what he's telling Thorne." "You can't go to the prison, Jane. Richard will know the moment you book a ride." Edmund stepped closer, his presence a warm shield against the night chill. "But I can get a message to Thorne. I still have contacts from when my mother... before she was moved." "Why are you helping me? Richard just told you your future hinges on staying away from me." Edmund reached out, his hand hovering over my shoulder before it finally settled there. His grip was heavy and sure. "Because he smashed the only thing I had left of my mother yesterday. He thinks he can replace people like furniture. He believes he can buy loyalty with silk and diamonds. He's about to learn that some things can't be bought." He leaned down, his face inches from mine. "Do you trust me, Jane?" I looked into those winter-sea eyes and saw the same fire burning in my own soul. We were both trapped and tired of performing. "Yes," I whispered. He didn't kiss me. Instead, he did something much more important. He took my hand and pressed a small, cold object into my palm. It was a silver key. "This is for the service entrance in the basement," he said. "It bypasses the alarm on the main gate. If you ever need to leave without being seen, use it. But be careful. If he catches you, I can't help you." He turned to leave, but I caught his sleeve. "Edmund? What happens if we win? What happens to us?" He paused, shadows from the willow tree dancing over his sharp features. "In this house, Jane, no one ever truly wins. We just find a way to survive the night." He disappeared into the darkness, leaving me with the key, the polaroid, and a heart beating too fast. I walked back to the house but didn't go to my room. I went to the library. The door was locked, but I knew from my late-night wandering that Richard kept a spare key hidden in the base of a marble bust in the hallway. I slipped inside. The room smelled of old leather and remnants of the smashed portrait. I didn't turn on the lights. I used my phone's flashlight. The beam cut through the darkness like a blade. I wasn't looking for money or jewelry. I was searching for the files Edmund mentioned-the ones Richard kept on his "interests." I searched the desk, the drawers, and the hidden panels behind the books. There was nothing. Richard was too smart to leave a paper trail. Just as I was about to give up, I spotted a small, discarded scrap of paper in the wastebasket. I picked it up and smoothed it out. It was a receipt from a private medical transport company. The date was yesterday. The destination wasn't a prison infirmary. It was a private clinic in the mountains. My breath caught. Richard hadn't lied about my father being moved. But he hadn't moved him for his health. He had moved him to a place where no one-not even a lawyer named Marcus Thorne-could find him. Then I realized that the note in my locker wasn't just a threat. It was a countdown. My father was talking, and Richard was moving him to a place where he would never be heard from again. I slumped against the desk, the cold realization washing over me. I was a "Hale" now, with the clothes, the school, and the name. But I felt more like a prisoner than my father ever had. Suddenly, the library door creaked. I dove behind the large leather armchair, my heart pounding. The light from the hallway spilled into the room, silhouetting a figure. It wasn't Richard. It was my mother. She didn't turn on the lights. She walked straight to the mahogany bookshelf and pulled out a specific volume-a thick, leather-bound edition of The Count of Monte Cristo. She opened it, took out a small envelope, and tucked it into the pocket of her robe. She stood there for a moment, her shoulders shaking, before she turned and left as quietly as she had come. I remained in the shadows, frozen by what I had seen. My mother, the woman who had begged me to be "grateful," was keeping secrets of her own. I waited until I was sure she was gone before creeping out of the library. I didn't go to sleep. I sat by my window, watching the sun begin to rise over the North Shore, the silver key gripped tightly in my hand. The engagement party was in three days. The world would see a happy family. They would see a billionaire and his beautiful bride, along with two teenagers who had learned to behave. But behind the silk and smiles, a war was being fought. For the first time, I wasn't afraid. I was ready. I looked at the polaroid one last time before tucking it away. My father was smiling in the photo. He was talking to someone he trusted. He was trying to save me. "I'm coming, Dad," I whispered to the empty room. "Just hold on." Downstairs, I heard the heavy thud of the front door. Richard was leaving for work. The day had begun. In the Hale mansion, the clock was finally ticking.

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