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The Day I Stopped Loving Him Novel Cover

The Day I Stopped Loving Him

She spent ten years loving the wrong brother. He only needed one night to claim her for good. Ivy has always been Julian’s shadow—fetching his coffee, doing his homework, waiting for him in the rain. But when she catches him kissing another girl on campus gossip forums, something inside her finally shatters. Enter Rowan Vance. Julian’s bitter rival. The cold, brooding architecture genius who never wastes words—or kindness. He finds her broken and soaked to the bone, and without a word, wraps his leather jacket around her shoulders. Rowan doesn’t want her gratitude. He wants her. As Ivy pieces herself back together—ditching the old habits, rediscovering her own fire—Julian panics. He never realized how much he needed her until she slipped away. But every desperate attempt to win her back only pushes her further into Rowan’s arms. And Rowan isn’t the kind of man who shares. “Hold still, Ivy. Unless you want Julian to see exactly who you belong to now.” From rain-soaked heartbreak to a love that rebuilds her from the ground up, Prologue is a scorching, emotional ride about finding your worth—and the man who makes you never want to be anyone else’s shadow again.
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Chapter 5

Rowan's studio was on the third floor of the east wing, in a corner room that most people didn't know existed.

I'd passed the door a hundred times without ever wondering what was behind it. Now I stood inside it, and I understood why he'd claimed this particular space. The ceiling was high enough to feel like breathing room. Two of the walls were almost entirely window, and even at this hour, with the sky outside gone dark and the city lights just beginning to assert themselves, the glass held a quality of light that was different from everywhere else in the building — cleaner, somehow. More honest.

The rest of it was controlled chaos. Canvases stacked three deep against the walls. A long worktable buried under charcoal sticks, fixative spray, reference photos pinned in overlapping layers. The smell of linseed oil and graphite and something faintly mineral underneath, the smell of a space that got used hard and regularly. A single floor lamp angled toward the center of the room, where a wooden stool sat waiting.

I sat on it.

The white slip dress I'd changed into was thin — spaghetti straps, a hem that hit mid-thigh. Simple. He'd said simple when he texted the address, and I'd understood what he meant without having to ask. Nothing that would distract from the line of a shoulder or the angle of a collarbone.

Rowan stood at the easel with a piece of charcoal already in his hand, and he didn't say anything. He just looked at me.

Not the way Julian looked at me — that distracted, peripheral attention, always focused somewhere slightly past my face, as if I were a background element in a scene he was actually interested in. Rowan looked at me the way he'd looked at the rain painting. Fully. Completely. Like there was information in the shape of me that he intended to find.

I sat still and let him look.

It should have felt uncomfortable. It didn't. That was the strange thing — the thing I kept turning over in my head as the minutes passed and the only sounds in the room were the soft drag of charcoal on paper and the occasional distant hum of the building settling around us. There was nothing demanding in his attention. No expectation underneath it, no performance required. He wasn't looking at me to see what I could do for him.

He was just looking at me. Like I was worth looking at.

I hadn't realized how long it had been since someone made me feel that way.

I kept my chin level and my hands loose in my lap and I breathed slowly, and somewhere around the twenty-minute mark I felt something in my chest begin to unknot — careful, incremental, the way a fist unclenches when it's been closed so long the fingers have forgotten how to straighten.

---

The cold crept in around the forty-minute mark.

The building's heating was inconsistent at this hour, and whatever warmth the room had held when I arrived had quietly drained out through all that glass. I felt it first at my shoulders — a slow, settling chill, the kind that starts at the surface and works inward. I didn't move. I was trying not to move. But my body made the decision without consulting me, a small involuntary contraction, shoulders drawing in just slightly.

Rowan's hand stilled on the paper.

He set the charcoal down on the edge of the easel tray, and he crossed the room.

He didn't ask. He moved with that same economy of motion I'd noticed on Friday night — no wasted movement, no ceremony. He picked up a cashmere throw from the arm of the chair near the worktable and came to stand directly in front of me.

Up close, he was — I noticed things I hadn't let myself notice before. The faint scar along his jaw, thin and old. The way his hands moved when he worked — careful, deliberate, the hands of someone who understood that some things broke if you handled them wrong.

He reached forward and settled the blanket over my shoulders.

His fingertips brushed the bare skin at the top of my arm. Just barely. Just for a second, the rough pad of one finger tracing the curve where my shoulder met my neck, adjusting the edge of the fabric.

I forgot how to breathe for a moment.

He was close enough that I could see the slight crease between his brows — not a frown, just concentration, the same expression he wore at the easel. His eyes dropped to the edge of the blanket, making sure it was settled. Then they came up to my face.

For three seconds, neither of us moved.

The floor lamp threw warm light across the left side of his face and left the right in shadow, and the room felt suddenly very small, very quiet, very aware of itself.

"Better?" he said. Low. Rough at the edges.

"Yes," I said. My voice came out quieter than I intended.

He held my gaze for one beat longer. Then he stepped back and went back to the easel.

I sat very still and stared at a fixed point on the far wall and told myself to breathe normally.

---

I didn't hear the footsteps on the stairs.

The first thing I heard was the door.

Not a knock. Not a voice. The door came open the way doors come open when someone has put their foot through it — sudden, violent, the frame shuddering with the impact. It hit the wall and bounced and the sound of it cracked through the quiet like a gunshot.

Julian stood in the doorway.

I had seen Julian angry before. I had seen him irritated, impatient, cold. But I had never seen him look like this — jaw working, chest heaving, his eyes moving fast between me and Rowan with an expression that was past calculated, past practiced. Raw. Almost unrecognizable.

"Ivy." His voice came out rough, stripped of its usual smoothness. "Get over here. Right now." His eyes cut to Rowan, then back to me, something wild and ugly moving underneath the surface. "How dare you be alone with him. What the hell do you think you're—"

"Enough."

Rowan's voice was quiet. That was the thing about it — it wasn't loud. It didn't need to be. He turned from the easel slowly, unhurried, the way a person turns when they are not afraid of what they're going to find. He set the charcoal down. He straightened to his full height.

And then he stepped in front of me.

Not dramatically. Not with any gesture or announcement. He just moved until he was between Julian and the stool where I sat, his back to me, his shoulders level.

The silence in the room changed.

"Knock," Rowan said. His voice was still quiet, but there was something in it now — something that made the air feel different, the way the air feels different right before a storm commits to itself. His eyes were fixed on Julian with an expression I hadn't seen on him before. Still. Absolutely still. And underneath that stillness, something that made the hair on my arms rise. "Or get out." A beat. Measured. Final. "She's with me."

Julian's face went through three different things in the space of two seconds.

I watched it happen from behind Rowan's shoulder — the rage, and then something that looked almost like shock, and then underneath both of those, something smaller and more honest: the expression of a person who has just understood, for the first time, that something they assumed was permanent has already been gone for longer than they knew.

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