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The Canary Who Learned To Fly Novel Cover

The Canary Who Learned To Fly

I died on a Tuesday. It wasn't a quick death. It was slow, cold, and meticulously planned by the man who called himself my father. I was twenty years old. He needed my kidney to save my sister. The spare part for the golden child. I remember the blinding lights of the operating theater, the sterile smell of betrayal, and the phantom pain of a surgeon's scalpel carving into my flesh while my screams echoed unheard. I remember looking through the observation glass and seeing him—my father, Giovanni Vitiello, the Don of the Chicago Outfit—watching me die with the same detached expression he used when signing a death warrant. He chose her. He always chose her. And then, I woke up. Not in heaven. Not in hell. But in my own bed, a year before my scheduled execution. My body was whole, unscarred. The timeline had reset, a glitch in the cruel matrix of my existence, giving me a second chance I never asked for. This time, when my father handed me a one-way ticket to London—an exile disguised as a severance package—I didn't cry. I didn't beg. My heart, once a bleeding wound, was now a block of ice. He didn't know he was talking to a ghost. He didn't know I had already lived through his ultimate betrayal. He also didn't know that six months ago, during the city's brutal territory wars, I was the one who saved his most valuable asset. In a secret safe house, I stitched up the wounds of a blinded soldier, a man whose life hung by a thread. He never saw my face. He only knew my voice, the scent of vanilla, and the steady touch of my hands. He called me Sette. Seven. For the seven stitches I put in his shoulder. That man was Dante Moretti. The Ruthless Capo. The man my sister, Isabella, is now set to marry. She stole my story. She claimed my actions, my voice, my scent. And Dante, the man who could spot a lie from a mile away, believed the beautiful deception because he wanted it to be true. He wanted the golden girl to be his savior, not the invisible sister who was only ever good for her spare parts. So I took the ticket. In my past life, I fought them, and they silenced me on an operating table. This time, I will let them have their perfect, gilded lie. I will go to London. I will disappear. I will let Seraphina Vitiello die on that plane. But I will not be a victim. This time, I will not be the lamb led to slaughter. This time, from the shadows of my exile, I will be the one holding the match. And I will wait, with the patience of the dead, to watch their entire world burn. Because a ghost has nothing to lose, and a queen of ashes has an empire to gain.
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Chapter 5

Seraphina Vitiello POV

The door groaned open, the sound of grinding metal echoing against the concrete walls.

Light flooded in, harsh and sudden, blinding me.

I was huddled in the corner, my lips blue and my body shaking uncontrollably.

Dante stood in the doorway.

He was dry now, immaculate in a fresh suit.

He looked at me with undisguised disgust.

"Get up," he said.

I tried. But my legs wouldn't work; they were numb, dead weight beneath me.

He sighed, impatient.

He walked over and hauled me up by my arm with zero gentleness.

My frozen limbs screamed in protest as the blood rushed back too quickly.

"Have you repented?" he asked.

I looked at him.

His eyes were hard as flint.

"Yes," I whispered. My voice was a broken croak.

"Good. Because tonight is the engagement gala. You will be there. You will smile. And you will apologize to your sister."

He dragged me out of the morgue.

He didn't offer me a jacket.

We went back to the estate in silence.

Once inside, I went straight to my room.

I took a scalding shower, trying to scrub the smell of death off my skin.

My skin turned raw and red, but I still felt cold inside.

After drying off, I walked to my closet.

I pulled out a shoebox from the back shelf.

It held everything.

A dried flower from the safe house garden.

A bloody piece of gauze I had saved from when I tended his wounds.

A photo I had taken of him sleeping, his eyes bandaged.

I looked at them.

Trash.

It was all just trash.

I took the box to the trash chute in the hallway.

Dante was walking by just as I approached. He stopped.

"What is that?" he asked.

"Garbage," I said.

I opened the chute.

I tipped the box.

The memories tumbled down into the darkness.

I heard them hit the compactor three floors down with a final thud.

"Better to get rid of the clutter," Dante said, adjusting his cuffs indifferently. "You're leaving for London in two days anyway."

"Yes," I said, my voice hollow. "Just clutter."

I went back to my room and dressed.

I chose a black dress.

Long sleeves to hide the bruises from where the soldiers had grabbed me.

A high collar to hide the mark from my father's ring.

I looked like a widow.

I went downstairs to the ballroom.

It was filled with the elite of the criminal underworld.

Crystal chandeliers glittered overhead. Champagne towers caught the light.

Isabella was in white. Of course.

She looked like an angel.

My father tapped his glass.

Silence fell over the room.

"We are here to celebrate the union of the Vitiello and Moretti families," he announced.

Cheers and applause erupted.

Dante stepped onto the stage. He took the microphone.

He looked at Isabella with a possessiveness that made my stomach turn.

"Isabella is the light of my life," he said, his voice smooth. "She saved me when I was in darkness."

He turned to her and pulled out a ring box.

A massive diamond sparkled inside.

"Marry me, Isabella."

"Yes!" she screamed.

She kissed him.

The crowd roared.

I stood in the back, hidden near the kitchen doors.

I watched the man I loved promise his life to the woman who wanted to harvest my organs.

I felt a strange sense of peace.

The hope was dead.

And with the death of hope, the pain finally stopped.

I was just a ghost now.

And ghosts don't cry at their own funerals.

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