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The Billionaire's Stand-In Wife Is A Genius Novel Cover

The Billionaire's Stand-In Wife Is A Genius

I woke up in a silk-sheeted penthouse, the lingering warmth of my husband’s body still on the bed. But by the time the sun hit the floor-to-ceiling windows, Chadwick Dyer had already transitioned from the passionate lover of the night before into a cold corporate executioner. He didn't say "good morning." He placed a blue folder from his family’s elite legal counsel on the nightstand and told me his childhood sweetheart, Ansley, was back in town. Our three-year marriage was being terminated as a "strategic move" to ensure the stability of his family’s multi-billion dollar trust. He shoved a settlement check for millions into my bag, sneering that it was enough for me to live "happily ever after" with the man named Jay I supposedly called for in my sleep. I walked out with nothing but my old suitcase, returning to my hidden life as a master art conservator, only to be blackmailed back into his world forty-eight hours later. His grandfather threatened to ruin my career and my mother’s home unless I played the devoted wife for the cameras while Ansley staged a fake suicide attempt to reel Chadwick back in. Standing in a VIP hospital wing, I realized the sickening truth: I was never the lead in my own marriage. I was just the understudy, a working-class girl picked because I was a dead ringer for the blonde socialite he truly desired. I was a placeholder for a ghost, a cheap replica used to fill a void until the "real" version returned. "You can have him," I told her, finally seeing through the high-society rot. "He's hollow anyway." I walked away from the hospital and the Dyer legacy, ready to disappear for good. But as I sat in a taxi, a notification on my phone stopped my heart. The man I thought had drowned three years ago—the Jay who haunted my dreams and the only man I ever truly loved—wasn't a ghost at the bottom of the Atlantic. He was the heir to a rival empire, he was back in New York, and he was the only one powerful enough to burn the Dyer family to the ground.
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Chapter 5

But old habits were chains made of steel. She swiped accept.

"What?" she answered, her voice sharp.

"Where are you?" Chadwick's voice was tight, clipped. Not angry, but stressed.

"I'm working," Johnna said. "Something you probably didn't think I was capable of."

"I need to see you," he said, ignoring her jab. "Now."

"I'm not coming back to the apartment, Chadwick. Talk to my lawyer. Oh wait, I don't have one because I signed your damn papers."

"It's Grandmother," he said.

The name stopped Johnna cold. Grandmother Dyer. The matriarch. The woman who had taught Johnna which fork to use without making her feel small. The only person in that cold, marble mausoleum of a family who had ever squeezed Johnna's hand with genuine warmth.

"What happened?" Johnna asked, her voice dropping.

"Her heart," Chadwick said. "She's... asking for you. She's agitated. The doctors say we need to keep her calm."

Johnna closed her eyes. It was a trap. She knew it was a trap. But it was a trap baited with the one thing she couldn't walk away from.

"Where are you?" she asked.

"I'm tracking your phone," he said. "I'm outside."

Johnna looked out the window. A black Maybach was idling at the curb, looking menacingly out of place against the graffitied brick of Chelsea.

"I hate you," she whispered.

"I know," he said.

Johnna hung up. She told Simon she had a family emergency and would be back in the morning. She walked out of the studio, stripping off her white gloves.

She opened the back door of the Maybach and slid in. The interior smelled of leather and Chadwick. He was sitting on the other side of the seat, looking immaculate and exhausted.

He looked at her clothes-the paint-stained trousers, the simple blouse. His brow furrowed.

"What kind of gallery lets you dress like that?" he asked.

"The kind that values the work, not the display," she retorted.

He didn't press. He reached down and picked up a velvet box from the seat between them. He held it out to her.

"What is this?"

"A gift. For Grandmother. Give it to her. Tell her it's from both of us."

Johnna opened the box. Inside sat a jade carving of a lotus flower. The green was deep, translucent, oily-Imperial Jade. She knew the market. This piece was worth more than her mother's house.

"You're trying to buy her happiness?" Johnna asked, snapping the box shut.

"I'm trying to give her peace," Chadwick said. "She thinks we're happy. She doesn't know about the filing. If she finds out while she's in this state..."

"So I'm here to lie," Johnna said.

"You're here to be kind," Chadwick corrected.

The car merged onto the highway, heading east toward the Hamptons. The drive was long. The silence in the back seat was thick enough to choke on. The space was confined, intimate.

Every time the car took a sharp turn, their knees brushed.

Johnna pulled her leg away as if burned. Chadwick didn't move. She saw his jaw muscle feather. He was tense.

"So," he said, breaking the silence after an hour. "You found a job fast. Reception?"

Johnna looked out the window at the passing trees. "Something like that."

She wouldn't give him the satisfaction. If he thought she was answering phones, let him. It made her real life feel safer, hidden away from his judgment.

"That's... good," he said awkwardly. "It's good to keep busy."

He sounded so patronizing. He sounded like he was talking to a child who had set up a lemonade stand.

The car slowed, turning through the massive iron gates of the Dyer estate. The gravel crunched under the tires. The main house loomed ahead, a sprawling stone mansion that looked more like a fortress than a home.

Johnna felt a familiar tightness in her chest. The Golden Cage. She had escaped it for three days. Now she was walking right back in.

The car stopped. The driver opened the door.

Johnna stepped out, clutching the velvet box. She took a deep breath, fixing a fake, serene smile on her face. It was time to perform.

---

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