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My Husband Gave My Mother’s House to His Mistress Novel Cover

My Husband Gave My Mother’s House to His Mistress

The fluorescent lights in the basement clinic buzz like dying insects. I steady my hands over Kira Kelly's face, the scalpel cold between my gloved fingers. She lies on the surgical table with her eyes closed, sedated but not unconscious—Ivan insisted she remain aware enough to "appreciate the artistry." My husband stands three feet away, his Italian leather shoes gleaming against the concrete floor. In his hands, he cradles the ceramic urn that holds my mother's ashes. He's positioned himself directly over the industrial trash compactor, its metal jaws open and waiting. "Steady now, Talia." Ivan's voice carries the same casual tone he uses when ordering coffee. "One slip, and your mother takes a dive." I don't look at him. Can't. The scalpel finds the precise entry point along Kira's nasal bridge. She wanted a smaller nose—claimed the bump made her look "ethnic" in photographs.
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Chapter 4

The basement door opens at dawn. I haven't slept. Can't, with the Pearl burning hotter every hour, counting down to a deadline that feels both like salvation and drowning.

Ivan's silhouette fills the doorframe. Behind him, pale winter light filters through the house, making him look like a paper cutout of the man who once pulled me from the gutter.

"Get up." His voice is flat. "You have work to do."

He doesn't help me stand. My legs shake as I climb the stairs, each step a negotiation with a body that's forgetting how to be solid. The Pearl pulses against my ribs—three days, three days, three days.

Kira waits in the sunroom, surrounded by bolts of white silk that catch the light like snow. She's wearing a cream robe, her new nose perfect in profile as she examines fabric samples. When she sees me, her smile could cut glass.

"There she is." She gestures at the silk. "My wedding dress. You're going to make it."

The words hit like a fist. Wedding dress. I look at Ivan, but he's already turning away.

"Four days," he says over his shoulder. "The ceremony is in four days. You'll have it finished by then."

Four days. The same day as the Ghost Marriage. The same day I'm supposed to walk into the Pierre Hotel and marry a dead man or dissolve into foam.

Kira's fingers drum against the armrest. "I want it fitted. Lace at the bodice, silk for the skirt. And I want it perfect, Talia. No blood, no tears, no excuses."

Marcus brings me to a room I've never seen before—a sewing studio with industrial machines and cutting tables. He sets down boxes of thread, needles, pins. His jaw works like he wants to say something, but he just shakes his head and leaves.

I'm alone with the silk.

My fingers find the fabric. It's cold and smooth, the kind of material that shows every imperfection. I spread it across the cutting table and begin measuring, marking, cutting. The scissors whisper through the cloth.

Kira appears every few hours to critique. Too loose here. Too tight there. The neckline is wrong. The hem is uneven. Start over.

I start over.

The needle slips on the second day. Blood wells from my fingertip, a single red drop that falls onto the white silk like a accusation. I freeze, watching it spread.

"Clean it." Kira's voice comes from the doorway. "Now."

I scrub at the stain with cold water, my hands shaking. The blood fades to pink, then to nothing, but I can still see it—a ghost of violence on fabric meant for celebration.

"You can't even sew without making a mess." Kira settles into the chair by the window. "No wonder Ivan wants me instead. You're broken, Talia. You've always been broken."

I thread the needle again. Keep sewing. The Pearl burns hotter with each stitch, each breath, each second that ticks toward the deadline.

"He proposed to me in your mother's house, you know." Her voice is casual, conversational. "On the beach where you used to swim. He said it felt right, starting our new life in a place with no ghosts."

My hands still. The needle hovers over silk.

"He's going to marry me in the garden where you used to pick flowers. Isn't that romantic?" She laughs. "You'll be there, of course. Serving champagne. Watching me become everything you couldn't be."

The Pearl flares. Heat spreads through my chest, down my arms. I bend over the dress, hiding my face, praying she doesn't notice the blue light starting to seep through my skin.

"Keep working," she says. "I want to try it on tomorrow."

That night, I sew by lamplight. My fingers are raw, pricked in a dozen places. Blood keeps welling up, and I keep cleaning it, over and over, until the silk is damp and my hands are numb.

The Pearl's glow intensifies. I can see it now even through my clothes—a blue radiance that pulses in time with my heartbeat. Two days left. Forty-eight hours.

The door opens.

Ivan stands in the threshold, his face half-shadowed. He's been drinking—I can smell the whiskey from across the room.

Then he sees it. The light. The blue fire burning beneath my sternum, illuminating my ribs like a lantern made of bone.

He takes a step forward. Another. His eyes are wide, fixed on my chest.

"It's real," he whispers. "The stories. Your mother's people. It's all real."

I press my hand over the Pearl, trying to hide it, but the light bleeds through my fingers.

Ivan's expression shifts. The wonder drains away, replaced by something harder. Hungrier. He looks at me the way he looked at his first gun, his first stack of cash, his first taste of real power.

"That's why you've been different," he says. "That's why you won't break completely. It's that thing inside you."

I shake my head. Sign desperately—no, please, you don't understand.

"If I take it out," he continues, talking to himself now, "you'd be normal. Human. You'd stop glowing, stop causing scenes, stop making me look weak."

He pulls out his phone. Dials.

"Marcus. Get Dr. Reeves. Tell him I need a surgical extraction. Tonight."

The Pearl screams. Or maybe that's me, finally finding a voice in the silence, a soundless shriek that only the ocean can hear.

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