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My Groom Poisoned Me to Steal My Inheritance Novel Cover

My Groom Poisoned Me to Steal My Inheritance

The scratch of my fountain pen against the vellum deed was the only sound in the office, a rhythmic whisper of intent. I was signing away ten million dollars for a Tribeca penthouse—a wedding gift for Bennett. It was a small price to pay for the way his eyes lit up when he spoke of "light" and "architectural soul." Three days into our marriage, and I was still foolish enough to believe I was nurturing a genius. "Athena, stop." Marcus Richardson’s voice wasn't just serious; it was a heavy, physical thing that arrested my hand mid-signature. My family’s attorney—a man who had weathered SEC investigations and hostile takeovers without blinking—looked pale. He placed a hand over the document, his knuckles white. "It’s just a deed, Marcus," I said, offering a smile that felt too bright for the sudden gloom in the room. "Bennett needs the north-facing light for his studio." "Bennett doesn't need the light. He needs a lawyer." Marcus slid a thick manila dossier across the mahogany desk. It hit the leather blotter with a dull thud.
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Chapter 2

The study in the Hamptons estate was silent, save for the rhythmic clicking of my keyboard. It was a cold sound, mechanical and precise, much like the ice I had spent my life shaping. Outside, the Atlantic wind battered the coastline, but inside, the air was still. Stagnant. I sat in the high-backed leather chair that had belonged to my grandfather, the glow of three monitors illuminating my face in spectral blue.

My grandmother’s sapphire ring felt heavy on my finger. I twisted it, the metal biting into my skin, grounding me as I logged into the shadow accounts. These were the veins that had pumped life into the corpse of Bennett Cruz’s career. For three years, I had been the heart, the lungs, and the blood. Now, I was the tourniquet.

First, the PR firm. *Retainer: $45,000 monthly.* Cancelled. The notification popped up: *Are you sure? This action is irreversible.* I didn’t hesitate. Click. The safety net that caught his drunken outbursts and spun them into “eccentric genius” dissolved into pixels.

Next, the materials. The Italian marble suppliers, the custom Japanese chisels, the specialized polymers. I froze the credit lines one by one. *Payment Declined.* *Transaction Failed.* Red text began to bleed down the screen, a digital hemorrhage. I watched the timestamps. 2:14 AM. In the city, Bennett would be asleep, likely tangled in sheets that smelled of my perfume on another woman’s skin, dreaming of accolades he hadn’t earned.

Finally, the Cloud. I navigated to the shared folder labeled *Upcoming Commissions*. There it was—the “Helios” project, a massive solar-aligned sculpture for a Silicon Valley billionaire. The schematics were there, intricate calculations of load-bearing tension and light refraction that I had spent months perfecting. I hovered the cursor over the file.

*Delete.*

*Permanently Delete.*

I sat back, the silence of the room suddenly louder. It wasn’t satisfaction I felt. It was the hollow ache of phantom limb syndrome. I had cut off my own arm to save the body, but the wound was still fresh.

***

Two days later, I watched the fallout through the lens of a hidden camera I’d installed in the Tribeca studio months ago—originally to ensure the humidity controls were perfect for his clay. Now, it was my window into the collapse.

Bennett stood in the center of the loft, staring at an empty drafting table. He wore his “artist’s uniform”—paint-splattered linen pants and a vintage waistcoat—but the posture was wrong. His shoulders were hunched, the tension in his neck visible even through the grainy feed.

“Where are the sketches?” he barked.

Joelle hurried into the frame, holding a tablet. She looked frazzled, her hair pulled back in a messy bun that lacked the casual elegance she tried so hard to emulate. “I checked the drive, Bennett. It’s empty. Maybe the server is down?”

“Athena always backs it up,” he snapped, pacing. “Call her.”

“I can’t call her,” Joelle hissed, throwing the tablet onto the sofa. “She blocked us. Remember? We’re the enemy now.”

Bennett ran a hand through his hair, gripping the roots. “I have a deadline in forty-eight hours. Musk wants a progress update. Just… get me the clay. I remember the shape. It was a helix. A double helix.”

He began to pack wet clay onto the armature. I watched, a cold cup of tea forgotten in my hand. He was slapping the material on with brute force, ignoring the fundamental laws of physics I had tried to teach him. He was building top-heavy.

“It needs a counterweight,” I whispered to the screen.

On screen, Bennett stepped back, wiping his hands on a rag. “See? I don’t need her math. It’s about *feeling*, Joelle. It’s about the soul of the piece.”

As if on cue, a wet, sickening *slap* echoed through the studio speakers. The clay slumped. Gravity, the one critic Bennett couldn’t charm, took hold. The helix twisted, buckled, and slid off the armature, landing in a grey, shapeless pile on the floor.

Bennett stared at the mess. Then he screamed—a high, thin sound of impotent rage. He grabbed a sculpting tool and hurled it across the room. It shattered a mirror. Joelle flinched, backing away until she hit the wall.

***

The gallery opening the following week was the final act of the initial demolition. I didn’t attend, but I didn’t need to. I had eyes everywhere.

Bennett had scrambled to present a backup piece—a derivative abstract form he’d thrown together in a panic. It was a jagged, unbalanced thing made of scrap metal and resin, something he called “The Fracture of Self.” Without my “claque”—the paid influencers and plants I usually seeded in the crowd to gasp and applaud on cue—the room was awkwardly quiet.

I sat in the back of a black sedan parked across the street, watching the livestream on my phone.

Victoria Sterling, the city’s most feared art critic, stood before the sculpture. I had sent her an anonymous tip earlier that day: *Look at the welding joints.* She adjusted her glasses, leaning in close.

“The finish is… pedestrian,” Victoria said, her voice carrying clearly over the hushed crowd. She turned to the gallery owner, who looked like he wanted to dissolve into the floor. “It lacks cohesion. It feels less like a fracture and more like a fumble. Where is the architectural precision we saw in his *Winter Solstice* collection?”

Bennett, sweating under the gallery lights, stepped forward. His smile was brittle. “It’s a departure, Victoria. A raw expression of—”

“It’s amateurish,” she cut in, marking something in her notebook. “The lighting is trying to hide the structural flaws, but the shadows don’t lie.”

Bennett’s face went crimson. He turned on the lighting technician—a poor kid I knew he hadn’t paid in weeks. “It’s the spots! You have them angled wrong! You’re ruining the depth!”

He was shouting now, gesturing wildly. The patrons, the wealthy collectors I had spent years courting, began to drift toward the exits, checking their watches. The illusion was breaking. The genius was just a man throwing a tantrum in a room full of people who suddenly realized the emperor had no clothes.

I closed the livestream and tapped the driver’s partition.

“Drive,” I said.

The engine purred to life. We pulled away into the dark, leaving Bennett Cruz to drown in the shallow end of his own talent.

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