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My Exes Tried to Ruin Me for Rejecting Them Novel Cover

My Exes Tried to Ruin Me for Rejecting Them

The applause washed over me like a wave, but I didn't need it. I'd never needed the validation. Standing at the podium in the grand ballroom of the Manhattan Ritz-Carlton, I accepted the crystal award with the same measured composure I brought to every boardroom. My company's meteoric rise was the talk of Wall Street—a woman who'd built an empire from the ashes of her own humiliation. The irony wasn't lost on me. 'Mavis Wallace,' the host announced, 'for visionary leadership and unprecedented growth in the technology sector.' I scanned the crowd as I took my place at the podium. A sea of New York's elite—investors, CEOs, influencers—all watching to see if I'd crumble under the weight of their scrutiny. I didn't. I never would again. 'Thank you,' I said into the microphone, my voice carrying clearly across the hushed room.
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Chapter 5

Selena came back on a Wednesday.

No text this time. She just appeared at my office building's lobby and asked the front desk to call up. My assistant relayed the message with a carefully neutral expression. I told her to send Selena up.

She walked in looking like she hadn't slept. The polish was still there — it was practically structural with her — but her eyes were doing that flat, burned-out thing again. Worse than last time. She sat down across from my desk without being invited to, which told me something had shifted.

She wasn't here to negotiate her dignity this time. She was here because she was scared.

'I heard him on the phone,' she said. No preamble. 'Three nights ago. He thought I was asleep. He was in the study with the door almost closed, but not all the way.' She paused. 'He was talking to Zayne.'

I didn't move. 'Go on.'

'They were talking about a woman.' Her voice was careful, like she was picking her way across ice. 'They called it the Evans situation. Like it was a — a logistics problem. Something to be managed.' She looked down at her hands. 'Jaxson said something about making sure she stayed quiet through the end of the quarter. That the timing was bad. That Zayne needed to keep a tighter lid on things until they were done with you.'

The room was very still.

'Cora Evans,' I said.

Selena looked up. 'You know her?'

'I know of her.' I kept my voice even. 'What else did you hear?'

'Zayne said she'd been — difficult. That she'd tried to contact someone outside the estate.' Selena's jaw tightened. 'Jaxson laughed. He actually laughed, and said that was what NDAs were for.' She stopped. 'I stood there in the hallway for I don't know how long. I couldn't move.'

I let the silence sit for a moment. Then I asked the first question.

'Did either of them mention a name — staff, security, anyone at the estate?'

Selena thought. 'Zayne mentioned someone called Marcus. Said Marcus had handled it.'

I wrote it down. 'Second question. Did Jaxson say anything about timing — a specific date, an event, anything that suggested a deadline?'

'End of the quarter,' she said. 'He said it twice. End of the quarter, then they could — he said they could deal with the rest.' She shook her head slightly. 'I don't know what that means.'

I did. End of the quarter was six weeks away. Six weeks before whatever they were planning moved into its next phase.

'Third question.' I looked at her directly. 'Is there any chance Jaxson knew you were listening?'

She held my gaze. 'No. He checked on me twenty minutes later. I was in bed. He kissed my forehead.' Something moved across her face — revulsion, maybe, or grief. 'He had no idea.'

I nodded once and set down my pen.

Selena watched me. 'What are you going to do?'

'What I need to do,' I said. 'You did the right thing coming here.'

It wasn't absolution and she knew it. But something in her shoulders dropped a fraction — the particular relief of a person who has been carrying something alone and has finally set it down.

She left ten minutes later. I stood at my window for a long moment after the elevator doors closed, looking out at the city.

Cora Evans. A woman I had never met, held inside a life she hadn't chosen, used as a variable in a calculation that had nothing to do with her and everything to do with men who needed to own things.

I opened my notebook. Drew a line from Zayne's name to Cora's. Then I wrote one word beneath it: *Extract.*

But first, I needed the full picture.

---

Nora Sinclair was already at the table when I arrived.

The members' club in the West Village was the kind of place that didn't advertise its existence — no sign outside, a door that looked like a private residence, a dining room that seated maybe thirty people and was never less than half empty. The kind of place where conversations stayed in the room.

Nora was in her mid-fifties, with the particular stillness of someone who had spent decades listening to people tell her things they shouldn't. She had a glass of sparkling water and a closed leather portfolio in front of her. She looked up when I sat down and didn't bother with pleasantries.

'I've been waiting three years for someone to walk through a door with what you have,' she said. 'I hope it's worth the wait.'

'Show me yours first,' I said.

She opened the portfolio.

What Nora had was meticulous. Estate staff testimonies — four of them, collected over eighteen months, each one corroborating the others on the key details. A pattern of women: six names, six trajectories that followed the same arc — proximity to Zayne, a period of public silence, NDAs, and then a quiet disappearance from any life they'd previously had. Financial records showing payments routed through three shell companies to individuals who had signed those agreements.

And photographs of the estate. The gates. The security rotation. The single road in and out.

I looked at everything carefully. Then I laid out what I had: Selena's account of the phone call, the name Marcus, the six-week timeline, and the connection to Jaxson and Erik's coordinated campaign against my company.

Nora was quiet for a moment after I finished. 'They're using her as insurance,' she said. 'As long as Cora is contained, Zayne has leverage over anyone who might expose him. Including you, if you get too close.'

'They think she's leverage,' I said. 'I think she's a witness.'

Nora looked at me for a long moment. Then she closed the portfolio and slid it across the table. 'What do you need from me?'

'Hold the story,' I said. 'Not forever. Six weeks, maybe less. I need to move her before any of this breaks publicly. If Zayne sees it coming, he'll lock the estate down completely.'

She didn't look happy about it. But she nodded.

'When I tell you it's time,' I said, 'I'll give you everything. His name, the NDAs, the shell companies, all of it. And you'll have the story no one else has — because you'll have Cora Evans telling it herself.'

Nora picked up her water glass. 'You're sure she'll talk?'

'I'm sure she deserves the chance to,' I said.

I called Daniel from the car on the way back.

'I need you to start building something,' I told him. 'Comprehensive. Airtight. Every vulnerability in Jaxson's new acquisitions, every NDA Zayne has issued in the last five years, and everything we can document on Erik's information-gathering operation.' I paused. 'Nothing digital. Paper only, locked storage, your eyes and mine.'

'Timeline?' Daniel asked.

'Six weeks,' I said. 'Maybe less.'

A brief silence. 'I'll start tonight.'

I hung up and looked out the window at the city moving past in the dark. Somewhere in Malibu, behind gates and security rotations and a locked drawer full of photographs, a woman was sitting near a window, counting exits.

Hold on, I thought. I'm coming.

I opened my notebook to the page with the triangle on it and drew a new line — not between names, but outward, past the circle's edge.

The way out.

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