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Mistress's Costly Affair Novel Cover

Mistress's Costly Affair

The familiar scent of turpentine and oil paint should have comforted me as I pushed open the door to Adrian's studio. Instead, my stomach twisted into knots as the scene before me registered in my mind. I'd spent the morning preparing his favorite lunch—smoked salmon sandwiches with the crusts removed, just as he liked them—and tucked a pregnancy test into my pocket. After three years of trying, the faint second line had appeared this morning. I wanted to surprise him, to see his face light up with the news we'd waited so long to receive. But the woman draped across Adrian's chaise lounge wasn't me. "Adrian?" My voice sounded small, even to my own ears. He didn't startle. Didn't even pause the sweep of his brush across the canvas. The afternoon light streamed through the skylights, illuminating the scene with a clarity I wished I could escape.
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Chapter 3

I stood frozen in the foyer, my hand still resting protectively over my stomach. The words hung in the air between us, heavy with implication.

"I'm pregnant too," I whispered, my voice barely audible over the pounding of my heart.

Adrian's expression shifted from surprise to something darker—suspicion, then rage. His eyes narrowed, jaw tightening as he processed my words.

"Is this some kind of joke?" he demanded, stepping closer to me. "Or a pathetic attempt to trap me?"

I flinched at his tone. "Trap you? This is our child, Adrian."

"Our child," he repeated, the words dripping with contempt. "Convenient timing, wouldn't you say? Right after Heidi announces her pregnancy?"

Heidi smirked beside him, her hand still possessively on her belly. "Adrian told me you've been desperate for a baby for years. Maybe you're... misremembering something?"

"I have the test results," I said, reaching for my purse. "I can show you—"

"Enough!" Adrian's voice cut through the room like a whip. "I don't want to see your fabricated evidence."

"Fabricated?" The word felt like a slap. "You think I'm lying about carrying your child?"

"I think you're desperate," he said coldly. "You've seen your position in my life slipping away, and now you're inventing a pregnancy to regain control."

Heidi's smile widened as she pressed herself closer to Adrian's side. "Artistic inspiration can't be forced, Maeve. Some women are muses, others are... obstacles."

Adrian's hand rested on her shoulder, his touch intimate and familiar. "I want you to leave," he said. "Take whatever you need and go."

"Leave?" I echoed, disbelief washing over me. "You're asking me to leave my home? While I'm carrying your child?"

"I'm not asking," he corrected, his voice hardening. "I'm telling you. I'll provide minimal financial support for the child, but I want nothing to do with raising it."

I stared at him, this stranger wearing my husband's face. "Why?"

"Because Heidi's baby represents hope and inspiration," he said, his eyes gleaming with a fervor I once mistook for love. "Yours represents obligation. Artistic death."

He turned away, dismissing me with a gesture that broke something fundamental inside me. "One week, Maeve. Then I want you gone."

---

That night, I packed my belongings with mechanical precision, each fold of clothing a small act of rebellion against the tears threatening to fall. The guest house on our property—technically still part of the estate but separate enough to satisfy Adrian's demands for distance.

I paused in the hallway outside our bedroom—our bedroom—when I heard them. The low murmur of Adrian's voice, followed by Heidi's laughter. Then the unmistakable sounds of a bed creaking, of bodies moving together in the most intimate way possible.

I pressed my hand against the wall, steadying myself as wave after wave of nausea hit me—not from pregnancy, but from the realization of what was happening behind that door.

Our bed. Where we'd planned our future together. Where we'd whispered dreams of children and growing old. Where he'd held me after the accident that took his right hand, promising that nothing would ever come between us.

I fled to the guest house, locking the door behind me.

---

From my window, I watched as they reclaimed my life piece by piece. Adrian painting Heidi in our garden, her body draped over the bench where I'd once posed. Their intimate dinners on the terrace, candlelight dancing across faces I no longer recognized as my own.

I saw them through the studio windows, his hands guiding her body into positions only I had known, his lips brushing her skin in places only I had been touched.

Each scene was a knife twisting deeper into my heart.

But in the darkness of my isolation, something else began to grow alongside my child—a network of connections I'd cultivated in secret while Adrian focused solely on his art.

Marcus Chen, the gallery owner who'd always seen more in me than just Adrian's muse.

Dr. Sarah Martinez, who'd helped me recognize the patterns of manipulation long before I was ready to admit them.

James Whitmore, whose investigative journalism had exposed art world scandals before, and who was always looking for the next big story.

And now, as I watched Adrian and Heidi recreate the life that had once been mine, I discovered something else—Heidi's modeling contracts contained strict morality clauses and exclusivity agreements that could be triggered by association with scandal or controversy.

I traced my finger over the clause in the contract I'd somehow obtained, a small smile forming on my lips for the first time in weeks.

"Artistic death," I whispered to my unborn child. "We'll see about that."

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