Follow
Chapters
Share
MARRIED TO THE MAFIA KING WHO KILLED MY FATHER  Novel Cover

MARRIED TO THE MAFIA KING WHO KILLED MY FATHER

She came to kill him. He made her his queen. Valeria Romano spent five years with one purpose ... destroy Lorenzo De Luca, the mafia king who murdered her father. She trained in silence, sacrificed everything, and finally had him in her crosshairs on a cold Sicilian night. Then he showed her the truth. Her father's killer was never Lorenzo. It was the man who held her at the funeral. The man she called every week for five years. The man who handed her the wrong name and watched her walk toward the wrong target while he rebuilt his empire on her father's grave. Her uncle Marco. Now Valeria is bound to the enemy she came to destroy ... in a contract marriage she didn't choose, inside a world she doesn't yet understand, hunting a man who has been ten steps ahead of everyone for twenty years. But Marco has never faced a woman who has nothing left to lose. As the truth unravels and the bodies pile up and the line between hatred and something far more dangerous begins to blur ... Valeria must decide who she is willing to become to protect the people she loves. Because in Lorenzo De Luca's world, power is everything. And she is about to become the most powerful thing in it. Some wars are fought with guns. The deadliest ones are fought from the inside.
Chapters
Share

Chapter 5

The announcement went out on a Thursday.

One line in three newspapers. A photograph taken the previous evening in the garden... her in black, him at her shoulder, his hand at the small of her back because Fausto had said it needed to look real and Lorenzo had placed his hand there without discussion and she had decided not to discuss it either.

She looked composed in the photograph.

She had spent twenty minutes in front of a mirror making sure of it.

By ten in the morning her phone was ringing. Not the encrypted one... the old one, the one she should have turned off, the one she had kept on because Dante's number was in it and she wasn't ready to lose that last ordinary thing.

Dante's name was on the screen.

She answered.

"Tell me," he said, skipping hello entirely, "that this is a joke."

"Good morning, Dante."

"Val. It says De Luca. Lorenzo De Luca. The same Lorenzo De Luca who we have spent five years believing killed our father?"

"Keep your voice down."

"I am in my apartment. I can use whatever volume I want." She could hear him moving, pacing, the specific rhythm of her brother when he was trying not to shout.

"What is happening? Are you safe?

Did someone force you to do this?"

"No one forced me."

"Then what... Val, I need you to explain this to me right now because I am looking at a photograph of you standing next to the man and you look... you look fine. You look like you're okay with this. Are you actually okay with this?"

She pressed her fingers to her eyes. "I need you to trust me."

"I trust you completely. I do not trust him."

"Dante..."

"No. Listen to me." His voice dropped. Serious now.

The way he got serious, like their father, when something mattered enough to stop performing the emotion and just carry it. "I have been watching you disappear for five years. I know what you were doing. I'm not stupid, Val. I knew about the training. I knew about the planning. I said nothing because I thought if I gave you the space you'd eventually come home." A pause that cost him something. "I did not think you'd come home married to him."

Her throat tightened. "I'm not home."

"I know." Quietly. "That's the part that scares me most."

She looked out the window of the east wing. The garden. The guards. The wall.

"I need three weeks," she said. "Can you give me three weeks without asking questions I can't answer yet?"

Silence.

"Are you safe?" he said again. Just that.

"Yes."

"Promise me."

"I promise you."

Another silence. Longer. She could hear him breathing.

"Three weeks," he said finally. "Then I want the truth. Everything."

"Everything," she said. "I promise."

He hung up.

She sat with the phone in her lap for a moment and thought about how much she had just promised and how much depended on being able to keep it.

Marco called at noon.

She was in Lorenzo's study when the number appeared on the old phone. She looked at it for one ring. Two. Then she held it up so Lorenzo could see the screen.

He crossed the room immediately. Stood beside her. Close enough that she could feel the stillness of him... that particular quality he had of taking up exactly the space he needed and not one inch more.

"Speaker," he said quietly.

She put it on speaker. Answered.

"Valeria." Marco's voice was warm. Concerned. Textbook. "My love, I've been trying to reach you all morning."

"I know. I'm sorry, it's been a busy day."

"I imagine it has." A small careful pause. "I saw the newspaper this morning."

"I assumed you would."

"I have to ask you..." His voice dropped. Gentle. The voice he used when he wanted to seem like the only person in the world who truly had your interests at heart. "Is this your choice? Genuinely your choice? Because if someone is pressuring you... if you're in a situation you don't know how to leave... you can tell me. You know that."

Beside her Lorenzo's jaw tightened. Not dramatically. Just the faintest shift.

"No one is pressuring me, Uncle Marco," she said. Her voice came out clean. Steady. She was her father's daughter and she knew how to carry a lie when it was necessary. "I know how it looks. I understand the shock. But I've been investigating Lorenzo independently for two years and what I found..." She paused, let the pause do the work. "It changed things."

Silence on the line.

She felt it... the quality of his silence. A calculating man recalculating.

"What did you find?" he said softly.

"That the story we were told wasn't complete." She kept her voice gentle. Uncertain. Like a woman still processing. "I want to talk to you about it. When I'm ready. But right now I just need everyone to give me space to figure this out."

Another pause. When he spoke again the warmth was still there but something underneath it had shifted a half-degree colder.

"Of course," he said. "Of course, my love. Whenever you're ready. I'm always here."

"I know," she said. "Thank you."

She ended the call.

The study was completely quiet.

Then Lorenzo said: "He believed the uncertainty. He thinks you're confused, not informed."

"I know." She set the phone on the desk. "That buys us time."

"Not much." He straightened. Moved to the window. "He'll be making calls within the hour. Cross-checking. Looking for anything that contradicts what you just told him." He turned. "We have maybe four days before he figures out you know more than you let on."

Four days.

She looked at the phone. At the window. At the man she had married on paper forty-eight hours ago and was only now beginning to understand.

"Then we need to move faster than four days," she said.

"Yes." He looked at her steadily. "Which means tomorrow you meet my inner circle. My lieutenants. The six men who run every operation under this family." He paused. "They don't know the full plan yet. They know about the marriage. They don't know why."

"How will they react?"

"Honestly?" He almost smiled. Not warmly. More like a man who respects a difficult truth. "Some of them will think I've lost my mind. One of them will think you're a spy. And one of them..." He stopped.

"What?"

"One of them," he said carefully, "might already be reporting to Marco."

She stared at him.

"You're telling me tomorrow I walk into a room where one of the men might be your enemy."

"Our enemy," he said. "Yes."

"And you don't know which one."

"Not yet."

She stood up. Looked at him. This man who kept handing her grenades and calling it strategy.

"You know," she said quietly, "a normal person would consider this a problem."

"I consider it an opportunity," he said. "We let them all see you. We watch who reports back to Marco. And then we know exactly where the rot is."

She was bait again. She understood that. She was the variable he was using to flush out the traitor.

The difference was... this time she didn't mind.

Because she was going to walk into that room tomorrow and she was going to watch every face in it and she was going to find the one that didn't quite fit.

She was her father's daughter.

She was very good at finding things that didn't fit.

"Fine," she said. "Tomorrow."

She picked up the encrypted phone to go. Stopped at the door.

"Lorenzo."

He looked up.

"The man outside my mother's building... Caruso." She held his gaze. "I want to know everything about him. Where he goes. Who he talks to. What Marco is using him for."

"Already in motion."

"Good." She opened the door. "Because if Marco makes one move toward my family before we're ready..." She let it sit there unfinished.

He looked at her across the room with those dark steady eyes.

"He won't," he said.

She left.

Walking back down the corridor she thought about the room full of men waiting for tomorrow. One of them a traitor. All of them dangerous. None of them ready for what Enzo Romano's daughter had become.

She almost felt sorry for them.

Almost.

You may also like

Cinderella's Revenge Novel Cover
7.6
Dumped by her fiancé just days before their wedding, only to watch him marry someone else-what would you do? Cry yourself to sleep, or dress to kill for revenge? ​That was Elaina's reality. She's no Cinderella, yet she lost a shoe while recklessly crashing her ex's wedding. Her revenge plan went up in flames, but fate had other ideas, throwing her into the path of Alister-a man who is handsome, charismatic, and dangerous... and ironically, the person closest to her ex-fiancé. ​Amidst heartbreak and vendettas, Alister paints her world in new colors, turning Elaina into a modern-day Cinderella. But will this story end in "happily ever after," or is Alister merely leading her into a much more dangerous game?
They Called Me the Fake Heiress, But My Birthright Was Far Greater Novel Cover
7.9
After ninety-nine cycles of perceived rebirth, the protagonist stops fighting the real heiress, Lily Hart. She endures betrayal from childhood friends and her fiancé, Wayne, who uses hypnosis and drugs to manipulate her perception of reality. Every horrific death she witnessed was a manufactured illusion designed to keep her subservient. When the truth about her chemical conditioning emerges, she realizes she never needed the Hart family. Her true birthright is far greater than their cruel games.
I Killed My Family After Getting My Inheritance Novel Cover
8.2
After recovering from a long-term mental illness, a young woman is welcomed back into the Schmidt household by her tearful parents and supportive sister. She slowly reintegrates into a normal life, eventually being named the sole heir to the family business on her sister's eighteenth birthday. However, despite the affection and wealth bestowed upon her, she executes a calculated and cruel massacre of her entire family. This dark mystery explores the chilling reality behind her sudden, violent turn.
My Boyfriend's Ex Gifted Me Hornets!
 Novel Cover
9.1
Moving day for Joe Fulham and his fiancée takes a terrifying turn when Joe's ex, Erica Loft, delivers a malicious housewarming gift. Upon opening their new front door, the protagonist is attacked by a swarm of venomous hornets Erica claim are for 'decoration.' As Joe confronts Erica over her reckless actions, his injured partner realizes she feels like an outsider. Amidst the physical pain of the stings and the heated argument, it becomes clear that their upcoming wedding is now in jeopardy.
My Husband Protected A Murderer Novel Cover
8.7
After her scientist father is found dead, Luna is devastated. Her husband, Henry Franke, vows to find the killer, but Luna discovers he is actually protecting the student responsible for the tragedy. Henry believes he can settle the matter quietly, unaware that Luna has overheard his betrayal. He also doesn't realize that the treatment for his paralysis is actually a series of toxins, and the only person capable of crafting the final antidote was the man he just helped murder.
Red Moon Novel Cover
8.1
Blood Moon – Story Description Blood Moon is a dark, thrilling tale of forbidden attraction, supernatural rivalry, and the fine line between predator and prey. Set in the seemingly ordinary Silver Hollow College, the story unfolds in a world where vampires and werewolves secretly coexist alongside humans, each hiding their true powers while battling their own instincts, rival clans, and the pressures of legacy. In this shadowed world, every glance can hide a threat, every conversation can carry hidden meaning, and every full moon can unleash the beast within. At the heart of the story are Catrine Nella, a powerful young vampire, and Edwardo Zee, a disciplined yet conflicted werewolf. Catrine is sharp, cunning, and deadly, raised under the constant pressure of her ambitious step-sister who insists she feed on human blood to grow stronger. Catrine's natural talents in both magic and combat make her a force to be reckoned with, yet she struggles with morality, identity, and her own desire for control. Edwardo, on the other hand, is torn between his instincts as a wolf and the manipulations of his ruthless step-brother, who demands that he become a killer to claim alpha status. Edwardo wants to be a true alpha, not through bloodshed, but by protecting others and leading with honor-an ambition that sets him apart from his family and makes him both a target and a misfit among his kind. The story begins with a violent, electrifying encounter between Catrine and Edwardo in the forest during the full moon. Both are drawn by their own impulses-Catrine performing a vampire ritual, Edwardo struggling to control the wolf within-and the resulting clash is fierce, brutal, and unforgettable. This first meeting ignites a dangerous rivalry, with each recognizing the other's extraordinary abilities while also sensing something forbidden and magnetic between them. Though enemies by instinct and heritage, the connection they forge amidst conflict sets the stage for a tension-filled enemies-to-lovers narrative that drives the series forward. As the story unfolds, Silver Hollow College becomes a battlefield not just of physical strength but of intellect, cunning, and emotional power. Catrine and Edwardo test one another constantly-through subtle glances in class, tense encounters in crowded hallways, and increasingly dangerous confrontations in the forest. Each battle pushes them further, revealing vulnerabilities and strengths, and slowly transforms their relationship from animosity into fascination, grudging respect, and eventually, desire. Amidst this, both characters are confronted with the pressures of their families. Catrine's step-sister threatens her with weakness if she does not feed on human blood, while Edwardo's step-brother pressures him toward ruthless dominance, creating a constant tension that challenges their morality and tests the limits of their powers. At its core, Blood Moon is a story about choice and identity. It explores the struggle between instinct and conscience, power and restraint, hatred and attraction. It examines what it means to be strong-not just physically, but emotionally and morally-in a world where strength often comes at the cost of humanity. Through fast-paced action, supernatural intrigue, and the slow-burning, dangerous pull between Catrine and Edwardo, the story blends romance, suspense, and fantasy into a gripping narrative. It is a saga of blood and moonlight, of predators and secrets, of rivalry and passion, and of two young supernatural beings whose lives are forever intertwined by fate, desire, and the power of the Blood Moon.