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I Exposed the She-Wolf Who Stole My Alpha Novel Cover

I Exposed the She-Wolf Who Stole My Alpha

I had been waiting eight years for tonight. That sounds dramatic. Maybe it is. But when you spend eight years being the she-wolf who stays — who manages the pack calendar, smooths the territorial disputes, absorbs every small crisis before it reaches the Alpha's desk — you stop noticing the waiting. It becomes the shape of your days. You tell yourself that tonight is different. Tonight, the waiting ends. The ceremonial hall smelled of white cedar and melted wax. Someone had woven moonflowers through the archway above the altar — my idea, actually, though I hadn't told anyone that. The moonstone pendant sat in its velvet box at the center of the table, catching the candlelight.
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Chapter 2

I didn't sleep.

I lay on the infirmary cot with Kendrick's moonstone pendant on the table beside me and my broken ribs screaming with every breath, and I stared at that warped plank in the ceiling until the darkness outside the window began to thin. I thought about the ceremonial hall. The moonflowers. The way the pack had filtered out without meeting my eyes.

Fair compensation.

I got up before dawn.

Silas appeared in the doorway the moment I swung my legs off the cot — he must have been sleeping in the chair down the hall, or not sleeping at all. His face looked like a man who had been carrying a stone too long and had finally felt it shift.

"Sloane." His voice was low. "You have three broken ribs and possible internal bruising. You are not cleared to —"

"I know," I said.

I dressed slowly. Every movement cost something. I had learned, over eight years of managing my own pain quietly, how to keep my face still while something inside me tore. I was good at it by now. Almost too good.

Silas stood in the doorway and watched me button my jacket, and he didn't say another word. That told me everything I needed to know about what he already understood — and what he was already guilty of.

I picked up the pendant.

It sat in my palm the same way it had in the ceremonial hall. Same weight. Same warmth. I looked at it for one long moment.

Then I walked out.

---

The pack-house main hall smelled of coffee and morning paper and the particular tension that gathers in a room full of werewolves trying very hard not to look like they are watching.

Kendrick stood at the head of the briefing table, still in last night's formal jacket. Conrad Walsh sat to his right. Three senior officers ranged down the sides. And in the chair at the far end, wrapped in a pale blanket, fingers curled around a mug — Maisie Sanchez. Her eyes found me the instant I crossed the threshold, and something moved in them that she was careful to keep small.

Every head in the room turned.

I walked to the center of the floor and I stopped.

My ribs were on fire. My wolf, Luna, was very quiet inside me — not absent, but gathered, the way she gets before something irreversible. I pressed my thumb against the inside of my wrist one last time.

Then I let go.

"I, Sloane Sullivan," I said, "reject you, Kendrick Coleman, Alpha of Crescent Hollow Pack, as my mate."

The words left my body like something that had been lodged there for years.

The pain was — there's no clean way to describe it. A fissure. Starting at the center of my sternum and tearing outward in both directions, fast and absolute, like stone splitting along a fault line it had always had. Luna screamed once inside my skull — one pure, devastated note — and then she was quiet. Not gone. Just finally, horribly free.

I threw the pendant into the central hearth.

The chain caught the flame immediately. I didn't watch it melt. I was already turning.

But I saw her face. One unguarded half-second before she caught herself — Maisie, over the rim of her mug, eyes bright in a way that had nothing to do with grief.

Triumph. Clean and quick and real.

I filed that away and kept walking.

---

Conrad Walsh reached the door before I did.

He stepped into the frame with his shoulders squared and his expression arranged into something meant to look like concern. Conrad was good at that — at wearing the face of the thing he wasn't doing.

"Sloane." His voice was careful. "You're injured. You haven't been medically cleared. I can't let you leave without —"

"Conrad." I stopped two feet from him. I didn't raise my voice. "The only reason I am still standing in this building is because I chose to walk out. Not because anyone permitted me to."

He looked at me. A long, uncomfortable look — the look of a man who had known, privately, quietly, for a very long time, and who had chosen institutional deference every single time the knowing got uncomfortable.

His jaw moved.

Then he stepped aside.

I walked out into the early morning without looking back. The cold air hit my face and my ribs and the raw place where the bond had been, and I breathed through all of it until I reached the tree line and the pack-house was behind me.

---

My cabin sat at the pack's western edge, close enough to the border trail that I could hear the wind move through the ridge pines on quiet nights. I had lived here for six years. It smelled like me — cedar and the specific herbal soap I used and something underneath that I had never been able to name but that Luna always recognized as home.

I sat on the floor in the front room for a few minutes. Just sat. I let the pain happen. Ribs and chest and the hollow where the bond had been. I let it be as large as it actually was.

Then I opened the mind-link to Elle Ramirez.

The connection formed instantly — Elle was already awake, or had been waiting. Probably both.

I need the relocation papers, I said. I'm not ready to leave yet. But I will be.

A beat of silence. No questions. No sharp intake of breath, no flood of outrage on my behalf, no demand for explanation. Just Elle, steady as a wall, on the other side.

They'll be ready when you are.

I closed the link.

I got up and I started going through the cabin room by room. I was methodical about it — I had learned to be methodical about most things. I made two piles: what was mine before Kendrick, and what had accumulated since.

The first pile was smaller than I remembered.

A collection of healer texts I'd bought myself at nineteen. A blue ceramic mug with a chipped handle, from my mother. Three photographs. A wool blanket Dara had made me the winter I turned twenty-two. A small jar of dried wolfsbane — not for use, just the smell of it, which my wolf had always found clarifying.

I sat down next to the first pile and I looked at it for a long time.

Eight years in a pack. Eight years of being almost-Luna, almost-marked, almost-enough. And what was mine had always been this small.

I picked up the chipped blue mug. Turned it over in my hands.

Somewhere across the pack grounds, faint and high and unmistakable, Barnaby began to howl.

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