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Divorce After His Madness Novel Cover

Divorce After His Madness

The flashbulbs outside the Metropolitan Museum of Art were a firing squad, and I was the target. Inside, the air was thick with the scent of lilies and old money, a suffocating perfume that clung to the back of my throat. I adjusted the strap of my silk gown, my fingers trembling—a subtle vibration only a dancer would notice. I needed air. I needed silence. I slipped away from the cacophony of the gala, finding refuge in a dimly lit VIP lounge draped in velvet and shadow. The relief was short-lived. The heavy oak door clicked shut behind me, the sound echoing like a gavel striking a block. "Hiding, Amaya?" Zayne Bradley. The name alone made the fine hairs on my arms stand up.
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Chapter 2

The studio mirrors reflected a thousand fragments of myself as I laced my pointe shoes. Six months of marriage, six months of suffocation, and I was finally breathing again. The familiar ache in my calves as I stretched felt like coming home.

"You shouldn't be here," Zayne had said that morning, his hand tightening around his coffee cup until his knuckles went white. "The baby needs rest. You need rest."

But the baby was fine—twenty-two weeks along and strong—and I needed this more than I needed air. I needed to remember who I was before I became Mrs. Bradley, before I became a trophy wife imprisoned in a penthouse.

The music began—Tchaikovsky's Swan Lake, Act II—and my body remembered its language. Every tendu, every arabesque, every leap was a small rebellion against the cage Zayne had built around me. The other dancers gave me space, their eyes filled with a mixture of pity and admiration. They knew. Everyone in the ballet world knew about my sudden marriage, my sudden disappearance from the stage.

I was mid-pirouette when the lighting rig groaned.

The sound cut through the music like a scream. I looked up just as two thousand pounds of metal and glass plummeted toward the stage. Time crystallized—I could see every bolt that had been loosened, every wire that had been cut. This wasn't an accident.

The impact shattered my right ankle like glass. The pain was immediate and absolute, radiating up my leg in waves of white-hot agony. I heard my own scream as if from a distance, heard the gasps of the other dancers, heard someone shouting for an ambulance.

But through it all, I heard something else—the soft buzz of my phone. A text message. *"Now you can come home where you belong. - Z"*

***

The hospital room smelled of antiseptic and lilies—Zayne's trademark flowers, already filling every available surface. He sat beside my bed like a devoted husband, his hand resting possessively on my arm as Dr. Martinez delivered the verdict.

"The damage is extensive," the doctor said, his voice careful and clinical. "Multiple fractures, torn ligaments, severed tendons. We've done what we can, but..."

"But?" I whispered, though I already knew.

Dr. Martinez glanced at Zayne, then back at me. "You'll walk again, Mrs. Bradley. But dancing professionally? I'm afraid that's no longer possible."

The words hit me like a physical blow. My career, my identity, my soul—gone. I felt the tears before I realized I was crying, great heaving sobs that shook my entire body.

Zayne's hand moved to my hair, stroking it with gentle, terrifying tenderness. "Shh, darling," he murmured, and I could hear the satisfaction beneath his concern. "It's going to be alright. Now you can focus on what really matters—being my wife, raising our child."

I wanted to scream, to claw at his face, to tell him I knew what he'd done. But Dr. Martinez was still there, and the nurses were watching, and I was trapped in this bed with my shattered leg and my shattered dreams.

"I've already spoken with the insurance company," Zayne continued, his voice a loving whisper that only I could hear the poison in. "And I've made arrangements for the best physical therapists. You'll have everything you need to recover. At home. With me."

The doctor left. The nurses bustled away. And I was alone with my husband, my captor, my destroyer.

"You did this," I said, my voice barely audible.

Zayne leaned closer, his breath warm against my ear. "I protected what's mine," he said simply. "You were slipping away from me, Amaya. Now you can't."

***

Three weeks later, I sat in my wheelchair in the penthouse, staring at the burner phone I'd hidden in my makeup compact. The divorce attorney's number was already programmed in. All I had to do was call.

My fingers trembled as I dialed. One ring. Two.

"Davidson and Associates," the receptionist answered.

"I need to speak with Mr. Davidson about filing for divorce," I whispered. "My name is Amaya Bradley."

Twenty-four hours later, I watched from the living room window as news vans surrounded the Ross Industries building. The hostile takeover was swift and brutal—Zayne's signature move. By noon, my father's company was bleeding money. By evening, it was dead.

Zayne found me there as the sun set, still in my wheelchair, still watching the aftermath of my rebellion.

"Did you really think I wouldn't find out?" he asked, setting the burner phone on the table beside me. "I told you, darling. You're mine. And I protect what's mine."

He knelt beside my chair, taking my hand in both of his. "Your father called. He's... devastated, of course. Forty years of work, gone. But I can fix this, Amaya. I can save what's left of Ross Industries. All you have to do is forget this silly divorce idea and focus on being the wife I need you to be."

I looked at him—really looked at him—and saw the truth in his eyes. This wasn't love. This was ownership. And he would destroy everything I cared about to keep me.

"Okay," I whispered, the word tasting like poison on my tongue. "I'll be good."

Zayne smiled and kissed my forehead. "I knew you'd see reason. You're going to be such a wonderful mother, Amaya. Such a perfect wife."

As he walked away, I touched my belly where our child grew, and I made a silent promise. Someday, somehow, I would find a way out of this cage. Even if it killed me.

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